A Quote by Jean Antoine Petit-Senn
The wonderful fortune of some writers deludes and leads to misery a great number of young people. It cannot be too often repeated that it is dangerous to enter upon a career of letters without some other means of living. An illustrious author has said in these times, "Literature must not be leant on as upon a crutch; it is little more than a stick.
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The wonderful fortune of some writers deludes and leads to misery a great number of young people.
The pilot who is always dreading a rock or a tempest must not complain if he remain a poor fisherman. We must at times trust, something to fortune, for fortune has often some share in what happens.
I have a wonderful piano that I really love: a handmade Yamaha grand. Sometimes I'm sitting there, and it sounds so good that I find some little melody or a phrase that leads me into a song, but probably more often than not, I actually grab a notebook.
The letters of famous people can be placed into two categories: there is the type of letter which becomes itself a valuable contribution to literature through its wit, style or wisdom; another kind is that whose main importance lies in the provision of a background to their author's life. Especially in the correspondence of great writers and poets, these two factors are very often combined.
I must admit that I am not a member of the ugly school. I have a great regard for certain notions of beauty even though to some it is an old fashioned idea. Some photographers think that by taking pictures of human misery, they are addressing a serious problem. I do not think that misery is more profound than happiness.
Thirty years ago, if you said the country was living beyond its means, people would have thought about economics. Now, if you talk about the country, or the planet living beyond its means, you think about the environment. We are taking out more than we are giving back. We are consuming energy, water, and other natural resources in a way that is leading to huge and often irreversible damage to the planet. So too are most other developed nations. And so too will China and India if they follow the same path of economic development as us
You are too young to know how the world changes everyday,' said Mrs Creakle, 'and how the people in it pass away. But we all have to learn it, David; some of us when we are young, some of us when we are old, some of us at all times in our lives.
Hope is a terrible thing, she said. Is it? Yes, it keep you living in another place, a place which doesn't exist. For some people it's better than where they are. For many it's a relief. From life, she said. A relief from life? Is that living? Some people don't have a choice. No and that's awful for them. Hope is better than misery, he said. Or despair. Hope belongs in the same box as despair. Hope is not so bad, he said. At least despair has truth to it.
You cannot leave the pressure and responsibility on young people in general. Young people must enter a safe and protected environment to be able to pass and fail so, little by little, they can adapt.
Fortune, the great commandress of the world, Hath divers ways to advance her followers: To some she gives honor without deserving; To other some, deserving without honor; Some wit, some wealth,--and some, wit without wealth; Some wealth without wit; some nor wit nor wealth.
Po flickered. "Thank you?" it repeated. "What is that?" Liesl thought. "It means, You were wonderful," she said. "It means, I couldn't have done it without you.
Many novice writers try to avoid using 'said' by substituting synonyms: 'he uttered,' 'she murmured,' 'he questioned.' It's true that any word repeated too often becomes monotonous, but substitutions for 'said' can be worse than its repetition.
I am persuaded that without knowledge of literature pure theology cannot at all endure. . . . When letters have declined and lain prostrate, theology, too, has wretchedly fallen and lain prostrate. . . . It is my desire that there shall be as many poets and rhetoricians as possible, because I see that by these studies as by no other means, people are wonderfully fitted for the grasping of sacred truth and for handling it skillfully and happily.
There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world.
Schoolchildren all over America are told to write to authors-often to authors whom they have never before heard of, whose work they are to young to understand in the least, and often in letters which are almost illiterate. If children are to be taught to respect the work of American poets I think some better way might be found to do so- some way which would not make such an inconsiderate demand on the author's time.
It is something wonderful when one can love another author. That happens so rarely, without any kind of misgivings that authors often have between each other. It is a good fortune, when you can adore, when you can love, when you can find something so magnificent.
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