A Quote by Jean-Michel Basquiat
I had very few friends. There was nobody I could trust. I left home when I was fifteen. I lived in Washington Square Park.
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I grew up on Avenue C, and Tompkins Square Park was my park. That was where I played ball every day. I lived in that park.
I actually walk through Washington Square Park a lot.
This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.
Looking back now across fifteen years I could see with great clarity the fear I had lived in, which must mean that in the interval I had succeeded in a very important undertaking: I must have made my escape from it.
I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits. I left home when I was sixteen and lived in places where it was very easy for me to have fallen the other way. I could have been on the large convoy because I was a woman and I was alone. In India, that's not a joke. I could have ended up very, very badly. I'm lucky that I didn't.
The institution of the family has very few friends in Washington. There are lobbyists in Washington for every possible entity, from the possum-growers of America to every kind of crazy thing. There's somebody in Washington paid to advance the cause of that particular business, but there's not a lot of support for the family.
I remember going to the East Village for the first time as a fifteen-year-old and going to Tompkins Square Park. That really seemed like a pretty edgy thing to do.
I had a very colorless background, and when I left Ohio and moved to England, nobody knew who I was and I had a real freedom. I could be free to experiment and experience things and I liked that a lot.
As someone who is displaced - I left London almost fifteen years ago to make Connecticut my home - I am drawn to stories about people who don't belong, whether physically or emotionally, and who find their families of choice in their friends.
Many of my friends were there at Motown. The studio was only a few blocks from where my dad's home was, where we lived.
I wouldn’t trust the best fifteen minutes I ever lived to get me into heaven.
I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very private, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes." I heard the smile in his voice. "You want me bad.
My earliest memory is a picnic in the park near our house, which was next to Wimbledon Common. Why on earth we went to a park when we lived so near the common is a mystery, but it had formal gardens and lawns - perhaps it was that very difference that took my parents there.
The very best hotel I've stayed in is the Intercontinental on Park Lane. We went there for the Chelsea Flower Show a few years ago, and it was sheer luxury. Everybody had a smile on their face. I came home and changed all my pillows because the hotel ones were so beautiful.
I lived in Washington longer than I have lived anywhere else, so it's considered home, even though I moved back to California.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
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