A Quote by Jean-Michel Jarre
Even if we artists are all very privileged, there's a constant frustration about how to do more or better, and never being satisfied.
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You can be fully satisfied with where you are, understanding that you're eternally evolving. When you get into that place of feeling appreciation of where you are and of who you are, and appreciation of what you are, and you accept that you are a never-ending, always unfolding Being, then you can stand in that delicate balance of being optimistic about what is to come, without being unhappy about where you stand. Find a way of eagerly anticipating future changes, while at the same time you are in love and satisfied with who, what, where and how you be.
As far as being satisfied, I just don't think you should work towards being satisfied. If everybody were satisfied, we'd never get anything done.
Nobody ever texts me, because they know what I'm like. I'm a constant frustration to my children because I never switch my mobile phone on. I only use it when I need to make a call or when I'm stuck somewhere or lost, then I switch it off again. I've never texted anyone in my life, and I'm not sure I even know how to.
I would imagine, a very large percentage of people who get something for art and they do something else, and they have some excess resources. And they trade those resources with artists whose work makes them feel good, or feel better, or question. And the artist, if they're smart, they use it to buy the most expensive thing in the world: time to make more. The more that come, the better it is for these people, their children, the people they care about, fills the society with a real constant thing.
I'm never satisfied, I always want to do better. That's how it is to be an elite athlete, you're never happy. When you start getting happy and you start feeling satisfied, you're done.
Getting one bill passed is close to impossible. Ask any kid who has spent a summer in Washington, or better yet a semester, and can't understand how people tolerate its menu of constant frustration. Imagine mastering it.
I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
People of color have a constant frustration of not being represented, or being misrepresented, and these images go around the world.
It is so obvious for the under-privileged to challenge the privileged, saying, 'How can you have something over me?' as opposed to the privileged person saying, 'How can we have something over the rest?' I find the latter more exciting.
My feeling about growing up in New Jersey was, 'How come I'm not in New York?' That being said, I'm older and I have a better worldview now, and so I think I grew up in an incredibly privileged position. The town I grew up in is beautiful. I got a great education, and I'm very grateful for it.
It's not about how much you make: it's about how good the quality is. You'll be better off as a company making fewer things and concentrating on those and how you bring those to market... in a very less cluttered way, even though the marketplace is more cluttered.
It's very fascinating, it's very addictive, and it's incredibly challenging. You're never satisfied. It's kind of like advertising. You're never satisfied
I realize I am very privileged. But there's a difference between being spoiled and privileged.
Employees who believe that management is concerned about them as a whole person - not just an employee - are more productive, more satisfied, more fulfilled. Satisfied employees mean satisfied customers, which leads to profitability.
I study everything that I do to become better all the time at my craft. The beauty for me about being an artist is that the dream will never die because I'm not obsessed with material things and don't care about the money and don't care about the attention of the public but only the love of my fans. For me it's about keeping the dream alive of how much more devoted, how much more honest, how much better of an artist can I become? That's the only fear that I ever have, that the dream will die.
I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.
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