A Quote by Jean Hanff Korelitz

To me, respect for human life begins with making it more difficult to obtain an inanimate object that is designed to snuff it out. — © Jean Hanff Korelitz
To me, respect for human life begins with making it more difficult to obtain an inanimate object that is designed to snuff it out.
All greatness in style begins, I imagine, with such respect, deep and passionate enough to produce a humility which will not assert itself at the expense even of inanimate things: out of which submissiveness a desire to serve is born, in disinterested accuracy toward the object, whatever it may be.
... it is true that I do not respect [human life] more than I respect my own life. And if it is easy for me to kill, that is because it is difficult for me to die.
There's something about seeing this little inanimate object coming to life that's just very exciting. That's why with 'Nightmare' I held out for so long to do it.
From inanimate object, to microorganism, to plant, to insect, to animal, to human, there is an evolving level of intelligence.
I find it ridiculous to assign a gender to an inanimate object incapable of disrobing and making an occasional fool of itself.
I love bringing the inanimate object to life.
What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object.
It's amazing how these little guys can say things that a mortal human could never get away with. There's some sort of unspoken license... when outlandish things come out of an inanimate object, somehow it equals humor.
We're making it more difficult to obtain the necessary ingredients to produce meth and tightening criminal penalties for those who deal in this dangerous drug.
We cannot but recognize that, in practical terms, defending human life has become more difficult today, because a mentality has been created that progressively devalues human life and entrusts it to the judgement of individuals. A consequence deriving therefrom is lessened respect for the human person, a value that lies at the foundation of any form of civil coexistence, over and above the faith a person may profess.
The mentality with African and European people is different. In Africa, when you come from a difficult life, when it's not so easy to eat, not so easy to survive, you respect money when you start to earn it, and you respect people more. When you respect people, they will respect you, and your life is better for that.
I think, questions about what it means to respect nature become very important because just as in human society, for example, part of what it is for me to live a good life as a human being in a human society is to have respect for others around me. Now, that respect, to some extent, can be thought of as being grounded in the rights and interest of others but it also has to do with the stance that I take in the world and what it is that provides meaning and significance in my own life and I think there are similar ideas of respect for nature that apply as well.
Hence, in desiring, the more the enjoyment is delayed, the more fancy begins to weave about the object images of future fruition, and to clothe the desired object with properties calculated to inflame the impulse.
Inanimate objects can be classified scientifically into three major categories: those that don't work, those that break down and those that get lost. The goal of all inanimate objects is to resist man and ultimately to defeat him, and the three major classifications are based on the method each object uses to achieve its purpose. As a general rule, any object capable of breaking down at the moment when it is most needed will do so.
Making one object, in outward or inward nature, more holy to a single heart is reward enough for a life; for the more sympathies we gain or awaken for what is beautiful, by so much deeper will be our sympathy for that which is most beautiful,--the human soul!
There's some sort of unspoken license... when outlandish things come out of an inanimate object, somehow it equals humor.
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