A Quote by Jasmine Guinness
I used to be frightened of the countryside after dark. Now I enjoy it. There is something wonderful about those strange country and wildlife noises.
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I'm less confident now than I've ever been. In this peculiar craft, confidence is something you spend a lifetime losing. I used to be frightened only one night a week but now I'm frightened of every performance. I mean really frightened.
There is no crime greater, or more worthy of punishment, than being strange and frightened among the strange and frightened; except assimilation to the end of becoming strange and frightened, but apart from ones own real self.
I'm trying to enlarge what I do with my voice, not through technique but just through the sounds. I think we all make noises, and particularly when we get involved or emotional about something, the colors and the tones of those noises change.
The US is a country [in which] eighty percent of the population thinks the Bible was written by god. About half think every word is literally true. So it's had to appeal to that - and to the nativist population, the people that are frightened, have always been... It's a very frightened country and that's increasing now with the recognition that the white population is going to be a minority pretty soon, "they've taken our country from us."
Since I was a kid, I inherited my dad's love for animals and wildlife, even for the ones we had around the house in the French countryside, a 'smaller' kind of nature. Then, as I grew up, I looked more deeply into the African continent and its wildlife.
I just hope that theaters remain. I think there's something very wonderful about getting into a dark room with a bunch of people. There's something cool about that. Brings us all together in one room where we can experience all those emotions.
I'd really likely to shoot wildlife documentaries. I watched so many of those as a child, and I'm quite into wildlife and love photography as well, so that's something I'd like to do.
After 'Raees,' I used to wonder how I'd feel working on another film and to do this and still enjoy it - I know now I like acting; I enjoy it.
I think that everybody has acknowledged that, in controlling foxes, hunting is hardly used as a method at all. To say that other ways of killing foxes, such as shooting, are crueller is to accuse all those people who work in the countryside of being more cruel than they need to be. In all the time that I have lived in and represented the countryside, I have seen no evidence that those people have that view.
There are a few 'Raw Shark Texts' tattoos floating around the Internet now, so I'm gathering them up to post on my forum. It's a strange thought, knowing that readers are tattooing themselves with something I've created, but it feels wonderful to have added something that people care about to the world.
Now 4th street park after dark is dangerous, might get clapped, if you look strange to us
Steve was so wonderful to bring wildlife into our living rooms and let us see that animals we used to be afraid of are so important.
I grew up in the countryside, and I was obsessed with horses and wildlife.
Perhaps I can also add something about the rural setting of Remember You're a One-Ball! The countryside is a place - in mythological and perhaps in very real terms - of mixed innocence and sin. It is seen by townsfolk as idyllic, lazy, free of urban crime and social problems. But those who grow up in the country can tell stories that often surprise those who grow up in the towns.
It's strange, but something about lack of structure needs a structure itself. Otherwise, after a while, it's like looking at a Rothko painting or a Peter Greenaway film. You think, 'OK, I want to see something else now.'
I don't recommend shadow travel if you're scared of: a) The dark b) Cold shivers up your spine c) Strange noises d) Going so fast you feel like your face is peeling off In other words, I thought it was awesome.
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