A Quote by Jaume Collet-Serra

The hard part on the subway is that you have, let's say, eight hours, but you have to hit these deadlines. From here to here, you can use this part. From this time to this time, you can use that part, and you have to hit them and it gets very stressful.
I've always said I learned to defend myself from an opponent coming for a hard hit. Tricks are part of my repertoire; I use them to try to get past my opponents, but the objective is always to score goals.
I'm a part-time student, and I plan to finish my degree. I think there are a lot of part-time students with jobs on the side or stressful careers. I'm certainly not the first person to be working while I'm in university.
When you write a song, most of the words you use are in black and white, and then, from time to time, you use one that’s in color. These words in color are a part of ourselves, because we give them a meaning. If you like, we give them a third dimension.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
Usually, when we write in The B-52s, it's quite a collaborative process. We really take hours - and sometimes days - jamming, and then we listen and listen to them and go, 'Oh, let's use this part, and then this part.' It's really like a collage.
If you're hit with a lawsuit that's untrue and the reasons you're hit with it aren't clear to you, there's a very big inclination on people's part to want to take responsibility for it - that this must be happening because I'm a terrible person, I did something, and I'm getting repaid for it.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
The process of developing superior strategies is part planning, part trail and error, until you hit upon something that works.
I'm an amalgamation of what I've needed to be. Part scholar, part rebel, part nobleman, part Mistborn, and part soldier. Sometimes I don't even know myself. I had a devil of a time getting all those pieces to work together. And, just when I'm starting to get it figured out, the world up and ends on me.
I always say if the marathon is a part-time interest, you will only get part-time results.
If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
You're not going to eliminate concussions. Anytime you hit your head, you have a chance of getting a concussion, in any sport, too. I think we have to learn more about it. Part of it is rules, part of it is equipment, part of it is medical studies, knowing more about the brain.
I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human race, as my spirit is part of my nation. In my own very self, I am part of my family.
The scoops and laps are something I've always had. The timing of the shots is the important part. You can't use it when it's reckless, you've to use it at the right time. Using the crease is something I've consciously worked on.
I stopped playing in the Masters in 2004, I stopped playing in the Par-3 [Contest], and now it's time to end this part of my Masters career. I would love to go on doing it forever, but I don't have the physical capability to hit the shot the way I would want to hit it. So I'll have to be content to watch.
In writing 'The Satanic Verses,' I think I was writing for the first time from the whole of myself. The English part, the Indian part. The part of me that loves London, and the part that longs for Bombay. And at my typewriter, alone, I could indulge this.
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