A Quote by Genevieve Bujold
The main thing in acting is honesty, to feel the humanity and get to the essence of the character. You can't put anything into a character that you haven't got within you.
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I don't like to intellectualize about my acting. I don't sit around and study the pages of a script over and over again. I don't worry whether the period is contemporary or three hundred years ago. Human beings are all alike. The main thing in acting is honesty, to feel the humanity and get to the essence of the character. You can't put anything into a character that you haven't got within you.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
I would want the audience to simply see the character I portray in each movie in its true essence because I feel acting is all about truthfully portraying the character.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
If I'm not clear with the character, I can't do anything with it. But once I get that character, the possibilities are endless. When you have such a defined character, I feel like I can actually read the phone book and make it funny.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.
I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.
I never studied acting, yet the first time I auditioned and did a cold reading, I surprised everyone for my honesty and limpidity. They told me I could play any role because I have no walls, I don’t put anything between me and the character I have to play.
I never thought I could write this much and now that it's coming to an end, I feel sad that I have to stop, sort of the way you feel at the end of a really good book and you know you're going to miss the main character. But in this case, the main character is me! Myself. Joe (formerly JoDan) Bunch. —Joe Bunch
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
My character should not be ordinary, cliched, and if I feel that it's difficult to do this character, I take up that challenge to get into his character.
The main thing I would say is: Lady Loki in the comics is a very different character to our character, obviously.
The toughest part of acting is never a single thing. It's more like a whole character. I find film really difficult - trying to make it feel like a consistent character when you're filming everything out of order.
The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character.
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