A Quote by Germaine Greer

The tragedy of machismo is that a man is never quite man enough. — © Germaine Greer
The tragedy of machismo is that a man is never quite man enough.
The tragedy of the man not set up for tragedy ? that is every man?s tragedy.
To write tragedy, a man must feel tragedy. To feel tragedy, a man must be aware of the world in which he lives. Not only with his mind, but with his blood and sinews.
It is always a great honour to mention a truth which has not become widespread yet. One of these truths is that man has no soul; he has only 'body' and 'mind'. Man's unshakable belief on the soul will not change this scientific truth! No belief can be higher than the scientific truths! Man can be born, can walk and work and can think without owning a mysterious and an immaterial soul! The soullessness of the man is a great tragedy both for the man and for the religion. But Man, contrary to the religion, will come out with triumph from this tragedy.
Man has gone long enough, or even too long, without being man enough to face the simple truth that the trouble with man is man.
The real Tragedy is the tragedy of the man who never in his life braces himself for his one supreme effort-he never stretches to his full capacity, never stands up to his full stature.
Machismo requires Latin blood. I'd say I never experienced machismo up close until I worked in a French office; the typical Wall Street gunner has the soul of a coffee filter in comparison.
Once upon a time, I dreamed of becoming a great man. Later, a good man. Now, finally, I find it difficult enough and honor enough to be -- a man.
Comedy is an intellectual affair, and deals chiefly with logic. Tragedy is an emotional affair, and deals chiefly with value. Horace Walpole once said that "life is a comedy to the man who thinks and a tragedy to the man who feels." Comedy is negative; it is a criticism of limitations and an unwillingness to accept them. Tragedy is positive; it is an uncritical acceptance of the positive content of that which is delimited. Since comedy deals with the limitations of actual situations and tragedy with their positive content, comedy must ridicule and tragedy must endorse.
My Father taught me how to be a man – and not by instilling in me a sense of machismo or an agenda of dominance. He taught me that a real man doesn’t take, he gives; he doesn’t use force, he uses logic; doesn’t play the role of trouble-maker, but rather, trouble-shooter; and most importantly, a real man is defined by what’s in his heart, not his pants.
Sven's actual results on the park were not quite good enough to make him a hero, and not quite bad enough to get him the sack, so he left the gentlemen of the press with something of a void. And they abhor a void. Soon the discovery that Sven was in fact a hammer-man of legendary proportions filled the void, until the media came to realise that Sven was that rare thing, a man whose astonishing success with women somehow didn't make him more interesting.
My father never was and isn't a mean man. You know, he never was ruthless. And he succeeded in life without sticking it to anybody. And that's a great example for a man, a strong man, a man's man, to give to his children. You can succeed, you can be successful, without walking over somebody.
In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
So much of Hollywood is this kind of overly machismo, nonsensical view of masculinity, which I just don't find honest. I think it's this idea of - you know, we're told, well, 'Be a man, be a man.' But what does that mean, exactly? Does that mean you can't carry yourself with any fear? That you can't acknowledge that you're scared?
Man will never be enslaved by machinery if the man tending the machine be paid enough.
I, the man of color, want only this: That the tool never possess the man. That the enslavement of man by man cease forever. That is, of one by another. That it be possible for me to discover and to love man, wherever he may be.
All but the hard hearted man must be torn with pity for this pathetic dilemma of the rich man, who has to keep the poor man just stout enough to do the work and just thin enough to have to do it.
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