A Quote by Josephine de Beauharnais

A letter is the portrait of the soul. — © Josephine de Beauharnais
A letter is the portrait of the soul.

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I sent my Soul through the Invisible, Some letter of that After-life to spell: And by and by my Soul return'd to me, And answer'd: 'I Myself am Heav'n and Hell
The countenance is the portrait of the soul, and the eyes mark its intentions.
It occurred to me in my junior year of high school. I got my first letter from a big college. I still have that letter to this day - a letter from Indiana.
Life The machine The human soul A 75mm breech My portrait
A Portrait of the Artist as a Young Man is in fact the gestation of a soul.
The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.
Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father
A photographic portrait needs more collaboration between sitter and artist than a painted portrait.
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National Portrait Gallery, I'm not thinking about the sitter; I'm thinking about how the artist chose that color or that highlight. It becomes about the time, place, and context.
When you are doing portraits, you have that intimacy with someone for a few minutes. For a really good portrait, you don't take the portrait - it's given.
I had been elected to the National Academy of Design in New York, and one of the requirements was that you give a portrait, a self-portrait of yourself.
My responsibility isn't to paint a flattering portrait; my responsibility is to paint a real portrait, a true portrait.
The creative act is like writing a letter. A letter is a project; you don't sit down to write a letter unless you know what you want to say and to whom you want to say it.
You must get into the habit of looking intensely at words, and assuring yourself of their meaning, syllable by syllable-nay, letter by letter... you might read all the books in the British Museum (if you could live long enough) and remain an utterly "illiterate," undeducated person; but if you read ten pages of a good book, letter by letter, - that is to say, with real accuracy- you are for evermore in some measure an educated person.
To demand the portrait that will be a complete portrait of a person is as futile as to demand that a motion picture be condensed into a single still.
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