A Quote by Georges Braque
The painter thinks in terms of form and color. The goal is not to be concerned with the reconstitution of an anecdotal fact, but with constitution of a pictorial fact.
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The fact that the author thinks slowly is not serious, but the fact that he publishes faster than he thinks is inexcusable.
I think the point of America, our planet, the reason we're all here, one of the best things that we can do is be concerned about something even when it doesn't concern us. That's the whole point. The fact that I've never had to use a Planned Parenthood, the fact that I've never been in need of medical services I couldn't afford or didn't have access to, doesn't mean I shouldn't be concerned about the fact that other women don't have that access.
The fact that slavery is written into the Constitution is about as entrenched a form of classism as you could possibly imagine.
I've really come into my own as an artist. I'm much more sure of my identity and understand it much better, and have accepted the fact that I like to jump around a lot in terms of who I am and what kind of music I create, and that it is okay - in fact, that is my main identity, the fact that I do that.
In fact, the new malleability of the image may eventually lead to a profound undermining of photography's status as an inherently truthful pictorial form... If even a minimal confidence in photography does not survive, it is questionable whether many pictures will have meaning anymore, not only as symbols but as evidence.
When we've had images that perpetuate the negative stereotype of people of color, we've always had 'The Cosby Show' to hold up against that. And the fact that we no longer have that kinda leaves us not in a great place in terms of having the wide scope of the images of people of color.
Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.
The significance of a fact is relative to [the general body of scientific] knowledge. To say that a fact is significant in science, is to say that it helps to establish or refute some general law; for science, though it starts from observation of the particular, is not concerned essentially with the particular, but with the general. A fact, in science, is not a mere fact, but an instance. In this the scientist differs from the artist, who, if he deigns to notice facts at all, is likely to notice them in all their particularity.
Color in color is felt at any and every place of the pictorial organization; in its immediacy - its particularity. Color must be felt throughout.
Superstition is just another form of thought like any other, a form that accentuates and regulates the association of ideas, it's an exacerbation, an illness, but, in fact, all thought is sickness, which is why no one ever thinks too much, at least most people do their best not to.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
Research is about following the gleam into the dark. It's also about being sensitive enough to know which fact is "the creative fact; the fertile fact; the fact that suggests and engenders," as opposed to the fact that deadens and kills a delicate new project.
The fact is, that of all God's gifts to the sight of man, color, is the holiest, the most divine, the most solemn. We speak rashly of gay color and sad color, for color cannot at once be good and gay. All good color is in some degree pensive, the loveliest is melancholy, and the purest and most thoughtful minds are those which love color the most.
I have touched here on a problem that is masked if one speaks of racism. And that is the fact that the major differences between the established and outsiders group, which create tension and irritation, is not the form of the face or the skin color but the form of behavior: something learned. The form of behavior and feeling, of sentiment, is different in the immigrant groups from that of the established groups, and that may give rise to an enormous irritation.
The fact is whether one looks at this [outsourcing] in terms of men and women, working men and women in this country who are simply being screwed, or whether one looks at this in terms of corporations who are benefiting, the fact is it is certainly not helping the American economy.
There are lots of things one can criticise about the European parliament, but it does work pretty well in terms of the speed with which you can vote, the fact that there's room to sit, the fact that there are offices when you arrive.
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