Braque always said that the only thing that counts, in painting, is the intention, and it's true. What counts is what one wants to do, and not what one does. That's what's important.
What constitutes American painting?... things may be in America, but it's what is in the artist that counts. What do we call 'American' outside of painting? Inventiveness, restlessness, speed, change.
I do believe that fundamental to any real hope is that we do need to reconstitute what has been generally handed out as the recipe for "happiness" for the human race, and what has generally been decided counts as "progress." People arrive at a different understanding of happiness, however fragile it is. They find it in unexpected ways, in the most unexpected of places.
When making a painting, only one thing counts: what you do next.
What counts is art. painting, a kind of painting that is quite different from what everyone makes it out to be. But what kind? Will God or someone else give me the strength to breathe the breath of prayer and mourning into my paintings, the breath of prayer for redemption and resurrection?
Painting is just a tool; it is nothing in itself. What counts is how you do it.
It has been my experience as a teacher over the years and incarnations that what really counts are not techniques. What really counts is spirit, love. What really counts is a sense of propriety and dedication.
All that stuff about flatness - it's this idea that painting is a specialized discipline and that modernist painting increasingly refers to painting and is refining the laws of painting. But who cares about painting? What we care about is that the planet is heating up, species are disappearing, there's war, and there are beautiful girls here in Brooklyn on the avenue and there's food and flowers.
It’s the spirit here that counts. The time may be long, the vehicle may be strange or unexpected. But if the dream is held close to the heart, and imagination is applied to what there is close at hand, everything is still possible.
The time that I devote to painting is not a lot of time, but I do it 100 percent while I am working, and then there's nothing else that counts.
More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
We have to believe that every person counts, counts as a creative force that can move mountains.
The coming and going of birth and death is a painting. Unsurpassed enlightenment is a painting. The entire phenomenal universe and the empty sky are nothing but a painting.