A Quote by Zawe Ashton

When I'm doing a play like 'Betrayal,' I have to be careful not to get stimulation overload. — © Zawe Ashton
When I'm doing a play like 'Betrayal,' I have to be careful not to get stimulation overload.
The stimulation I get from my phone does not feel like the opposite of boredom to me. It actually feels like a different flavor of boredom... a twitchier flavor. And sometimes, it's almost more irritation than stimulation. It's an itch.
Testosterone overload?" Merinus gave an unladylike grunt. "More like asshole overload if you ask me.
I have always been a sucker for ballads, but you have to be careful these days, you can't overload people.
I know that disavowal is an unusal form of betrayal. From the outside it is impossible to tell if you are disowning someone or simply exercising discretion, being considerate, avoiding embarrassments and sources of irritation. But you, who are doing the disowning, you know what you're doing. And disavowal pulls the underpinnings away from a relationship just as surely as other more flamboyant types of betrayal.
I get a lot of people saying to me, 'Oh, you're the actor who plays the nutters,' and I'm not. I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
I look for that stimulation constantly. I'm looking for inspiration and stimulation. Not bored with what we've done.
We've all gone through some kind of betrayal, whether it's with a boyfriend or a friend or a family member. That's why this is so relatable to everybody because we all know what it feels like to feel that betrayal.
I never could understand - it was impossible for me to get my head around - what the furor was, what the sense of betrayal and anger and rage was about Bob Dylan's beginning to perform with a band, to play rock-and-roll, to get on the radio.
I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
I think that the greatest betrayal that a revolutionary can participate in is to become like the people you are struggling against. To become like your persecutors. I think that is a betrayal and a sin.
Normal people have an incredible lack of empathy. They have good emotional empathy, but they don't have much empathy for the autistic kid who is screaming at the baseball game because he can't stand the sensory overload. Or the autistic kid having a meltdown in the school cafeteria because there's too much stimulation.
Any successful corporation, if they adopt the three, they're going to be not just wealthy but they're going to be balanced. A lot of corporations adopt exercise, discipline, no affection. But you must maintain the three, because it's part of what you need. You need physical stimulation, you need mental stimulation and of course you need emotional stimulation.
Is stress always bad? No - if a stressor isn't too extreme, is only transient, and occurs in what overall feels like a benevolent environment, it's great, we love it - that's what play and stimulation are.
It's the way you play that makes it . . . Play like you play. Play like you think, and then you got it, if you're going to get it. And whatever you get, that's you, so that's your story.
Overloading attention shrinks mental control. Life immersed in digital distractions creates a near constant cognitive overload. And that overload wears out self-control.
I would like to get immigration enforcement right. I think that there is a problem there, and it needs some really careful analysis and a brutal look at who's doing what and who's got what powers where.
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