A Quote by Zach Anner

When I was five years old, I auditioned for the role of 'Tiny Tim in A Christmas Carol.' — © Zach Anner
When I was five years old, I auditioned for the role of 'Tiny Tim in A Christmas Carol.'
I have been involved with 'Spring Awakening' for six years. I am 20 now - I just turned 20 in August - and I originally auditioned when I was 14 years old. I auditioned for Michael Mayer, Duncan Sheik and Steven Sater.
I got my first guitar for Christmas when I was five years old.
I was probably five years old or four years and I would listen to "White Christmas," and I just thought it was the most beautiful thing ever. The musicianship and his voice and the melody of that song; it's almost like I wish it wasn't a Christmas song because I wish that you were allowed to listen to it all year.
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
The upheavals of adolescence silenced 'A Christmas Carol' for a few years. I became a firebrand atheist. Christmas - humbug! Too commercial! Then I became an agnostic. Christmas was a pro-forma affair, basically a chore. Buy mother a book, dad a new tie, my brother and sister small gifts. Pretend thanks for the fountain pens and shirts I received.
When I was five years old, my parents gave me a drum set for Christmas. My mom played the piano, and Dad played the saxophone badly. But that Christmas morning, I remember we all played together, and I thought it was the greatest day ever.
In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
It's easy to write a short story and frighten people for five pages, but to work at length, when you do it as in 'The Turn Of The Screw' or 'A Christmas Carol,' it's different; you have to build it and build it.
I work with this wonderful five-piece band, The Tony Guerrero Quintet, along with Kate Flannery, who was Meredith the Drunk in The Office, and Tim Davis, who was the vocal arranger on Glee. The three of us sing, and the band is amazing. We've been working together for about two years. So, we decided to do a Christmas album in July.
I would just say there are no two roles that are more demanding than Bob Dylan of 1966 [Blanchett's role in 'I'm Not There'] and Carol Aird of 1952. I challenge any director out there to come up with a wider divide. I had to convince her to take the Dylan role, and that took effort. But with 'Carol,' she was already attached.
When anybody, no matter how old they are, loses a parent, I think it hurts the same as if you were only five years old, you know? I think all of us are always five years old in the presence and absence of our parents.
I remember I was like five or six years old; I played the devil. That was my first role.
I auditioned 5-6 times for 'Dangal.' I was just waiting for the final call, as there were about 15-16 girls who auditioned for the role.
I did 'Christmas Carol' off and on through my teenage years, so I always had that dialect and that sound in my ear, which was so helpful. It became second nature.
I actually never auditioned for 'Full House.' I had done a guest appearance on 'Valerie' as the next door neighbor's niece, and from that I got into 'Full House.' I was only five years old, and I was on the show until I was 13.
Every Christmas people are so nice to me, they think I am Little Tim from A Christmas Story. But I'm not. *smiles*
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