A Quote by Zach Galifianakis

I've been happily dedicated to the same woman for a number of years. I never even look at other women. — © Zach Galifianakis
I've been happily dedicated to the same woman for a number of years. I never even look at other women.
I've never been interested in dressing one woman. What's interested me was to have a philosophy. It hasn't been important to put a woman in a blue dress. I wanted to dress women who wanted to look at themselves. To stand out. To be women who were not part of the crowd. A woman who fights and advances.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
Over and over again, stories in women's magazines insist that women can know fulfillment only at the moment of giving birth to a child. They deny the years when she can no longer look forward to giving birth, even if she repeats the act over and over again. In the feminine mystique, there is no other way for a woman to dream of creation or of the future. There is no other way she can even dream about herself, except as her children's mother, her husband's wife.
Before I myself went to college I had never seen but one college woman. I had heard that such a woman was staying at the house of an acquaintance. I went to see her with fear. Even if she had appeared in hoofs and horns I was determined to go to college all the same. But it was a relief to find this Vassar graduate tall and handsome and dressed like other women.
I don't look at women as groupies. To me, a groupie is a stalker. If you're a fan, then you're a fan. But I can look at a woman and become a fan of hers instantly. I'll tell a woman, "Look, I don't want your phone number. Just give me your autograph. Can I take a picture with you?"
I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies - for the same reasons, by the same law, with the same fatal goal. Woman must put herself into the text - as into the world and into history - by her own movement.
Often men believe women are the same, and once they figure what works for one woman they apply that same method to all the other women they are intimate with, and that's one of the major problems.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
In the US in recent years, around a third of all open management positions have gone to women. My research over the last three years has shown that the trend is going in the same direction at all levels. And by the way, it's not necessarily that the rise of women is causing the end of men - it's more the other way around. An increasing number of men are failing during their education, losing their jobs and then not managing to get back on their feet, so women have had to step in. The driving force here isn't feminist conviction, it's economic necessity.
In economies in which women work, men and women in relationships make about the same amount of money, or women make more. Women are 40 percent of breadwinners in America, and that number's been rising.
In the Western world, women have no other choice. In India, no. And I'll explain the reason. It's a reason that also has to do with my own case. In India women have never been a hostile competition with men - even in the most distant past, every time a woman emerged as a leader, perhaps as a queen, the people accepted her. As something normal and not exceptional.
For me it's absolutely the same - I treat one and the other in exactly the same way. As persons, that is, not as men and women. But, even here, you have to consider the fact that I've had a very special education, that I'm the daughter of a man like my father and a woman like my mother.
I truly believe that a beautiful woman is a beautiful woman, but a beautiful woman with a brain is an absolutely lethal combination. Women of integrity, depth, sensuality and strength have always been my source of inspiration, the reason for what I do and how I got to where I am today. They are all my muse. If my quest, in what I do - to make women look and feel beautiful - reflects even a tiny fraction of my deep-rooted respect for them, and succeeds in celebrating these lives of strength and substance, then I will consider it a job well done.
I have never been able to remember the number of my driver's license, and there have been times when I couldn't even remember my own telephone number, but when I hear a song, sometimes only once, I never forget the melody or the lyric.
When I am really into a woman, the way I look at other women changes. The other women on the planet kind of fade away. And the majority of my energy goes to that person.
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