A Quote by Zach Galifianakis

Actually, I used to be a busboy in a strip joint in New York and so I hate strip joints. I'm not that kind of person. — © Zach Galifianakis
Actually, I used to be a busboy in a strip joint in New York and so I hate strip joints. I'm not that kind of person.
With access to the clubs, access to the strip joints. My house. My boat. We’re talking about high school football players. Not anybody can just get into the clubs or strip joints. Who is going to pay for it and make it happen? That was me.
Most people when they go to Vegas want to go to places on the Strip and experience the big names. Actually in Las Vegas, I find the best restaurants are off the Strip.
If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.
Channing does a very good impersonation of men at female strip joints.
'Blade Runner' was a comic strip. It was a comic strip! It was a very dark comic strip. Comic metaphorically.
I did work in a strip club, but I didn't strip. I danced, and I became very popular.
I think anybody who is writing finds he puts a little bit of himself in all of the characters, at least in this kind of a strip. It's the only way that you can survive when you have to do something every day. You have to put yourself, all of your thoughts, all of your observations and everything you know into the strip.
New York has always been a city of change and a city about change, and it is a back-leading development. Nobody's going to want to come to New York if it looks like another strip mall.
If you're going to make as much money as you are, when you're fighting someone else, that's the one thing I always tell people is I would never turn down the truly rightful No. 1 contender in my division, because the UFC can actually strip you. They can say, 'You're not going to fight the No. 1 contender. We can strip you.'
I don't enjoy lettering very much, but that's the way I write and that belongs in the strip because the strip is a reflection of me.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
I tried to do a comic strip. I came close, and I met with Universal Press Syndicate in Kansas City, but ultimately, they did not go with my strip.
I always wanted to build something in Vegas, especially off The Strip. I know how it is for locals. They don't like going to The Strip for entertainment or even to eat.
I wasn't intending to create a comic strip to begin with. So I think I wasn't aware that when the strip started, there had never been a woman's voice quite like this in the newspaper.
You know those guys that go to the strip club at the daytime? If you're at a strip club, and the sun is out, you got some problems!
I'd take out a joint and light it. First, just faking it. Then I started lighting live joints, passing them around to the band, you know. I was great, it relieved all my tensions. And I ended up with the greatest supply of grass ever. Other acts up and down the Strip heard about what I was doing - Little Anthony and the Imperials, people like that - and started sending me the best dope in the world. I never ran out.
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