A Quote by Zbigniew Brzezinski

There's no point considering something which is very unrealistic. — © Zbigniew Brzezinski
There's no point considering something which is very unrealistic.
[Young] was afterwards accustomed to say, that at no period of his life was he particularly fond of repeating experiments, or even of very frequently attempting to originate new ones; considering that, however necessary to the advancement of science, they demanded a great sacrifice of time, and that when the fact was once established, that time was better employed in considering the purposes to which it might be applied, or the principles which it might tend to elucidate.
We see everything from the narrator's point of view, so exposition about the world is limited to what impinges directly on him and the story he's telling. Considering how old the world is, we learn very little about its history, which I think is a good thing.
There was never any point at which I was considering leaving Harry Potter. If I were to stop acting, it would have been after.
In considering irregular appearances, there are certain very natural mistakes which must be avoided.
There are no unrealistic goals, only unrealistic deadlines.
There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.
I hate to admit that. I want to win every race, but I know that's not possible. To be in the top 25 is realistic if we have any luck this year. But anything to be in the chase or something like that is very unrealistic.
The Players Association has on the table a demand which doesn't recognize the reality of our league's economics today. It's a very excessive and unrealistic demand.
You can only hold on to something for so long and enjoy it just by yourself, what's the point? It's very selfish. For better or for worse, I feel like the point of all of this is to make someone feel something.
When you work on a movie or a TV show, you're a family, so if something that's a two-minute thing in the movie is causing a rift in the family, you also have to think about at what point do you fight this, and at what point is this rift worth having in this very small, very tight group of people who are just there to make something great and funny.
I have to tell it again and again: I have no doctrine. I only point out something. I point out reality, I point out something in reality which has not or too little been seen. I take him who listens to me at his hand and lead him to the window. I push open the window and point outside. I have no doctrine, I carry on a dialogue.
A theory's assumptions always are and ought to be unrealistic. Further, we should attempt to make them more unrealistic in order to increase a theory's fruitfulness.
Mostly we are addicted to television shows for two reasons; whether it's because we get to connect with the story-line as somewhat similar is faced by all of us, or otherwise it gives you something which is totally fictional, unrealistic but catchy.
People often refer to my career before The Crying Game as something which led up to that point. But I was very fulfilled in what I was doing.
Some of the folks we see are in for defending themselves against their abusers, or drug charges that, because of the California state prison system, they have mandatory sentencing and life in prison for three counts of simple drug possession, or whatever. I find it not only helpful but, I think, necessary in maintaining my grounding and my perspective. Because music is such an unrealistic job to have. It's a really lucky job to have, but it's also very unrealistic.
I find that God by any name can be reduced to this sense of the eternal Presence. It defines being, and I see it as a sphere of intense light that marks the point of my origin. It is the permanent part of me, of which I am very aware, and the point to which I will return at the conclusion of this life.
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