A Quote by Zoe Kazan

Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse. — © Zoe Kazan
Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
I'll force myself to sit down and read a couple of chapters of a great book or I'll force myself to sit and listen to some amazing music or I'll go see a play. I find that watching or experiencing other forms of art gets my brain in action. It makes me feel connected to the creative energies and then that tends to get things going.
Anytime that I have an impulse to pull out my phone and take a picture, especially of a landscape or something, if the first thing I do is reach for the phone, I actually force myself to sit there and at least wait thirty seconds before I actually grab my phone. I'm, like, "No, sit here for thirty seconds, and just see what you think about. What does this make you think about?"
I found the structure of writing a screenplay harder than the structure of writing an essay. But it was definitely challenging to force myself to sit and write. I'm not used to having to force myself to work.
When I sit down in front of a Windows machine, I can't write; when I sit down in front of my Mac, I can write. So I only use Macs.
I don't outline. I sit down to write, and I take the ride. If something starts to not feel right, I go back to the last place that felt like jazz to me.
Some days, you will sit down, and you write tens of thousands of words. Others, you have to force yourself to write a single sentence.
Anytime I have an idea, I'll make sure that I put it down so that when we do sit down to write an album, I don't have to dream it all out of thin air. I don't have to be creative on the spur of the moment, or spontaneously artistic. I just take advantage of whenever creativity strikes.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
I use poetry to explain myself to myself. It is a way of investigating who you really are, what you feel, what survives the pressure of writing. There are a lot of things that you can't write down because they aren't true. You can only put down what holds water at the time that you are doing it.
I really, really enjoy fitting words together - but I only enjoy it when it's easy, when it sort of rolls along by itself. I never erase anything [and] I hardly ever write anything down... The song will be finished before I write it down... I won't write a song unless it serves me in some way, unless I feel I have to write the song to make myself feel better. If you're not overflowing with something, there's nothing to give.
It's just like I get this identity crisis: my body doesn't want to write, my mind doesn't want to write. Nothing about me wants to write, but I force myself to sit there and try. Nothing happens.
If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.
I don't sit down to write a funny story. Every single thing I sit down to write is meant to be sad.
When lockdown happened, and I didn't have that focus to sit down and write a novel, which is what I was supposed to be doing. I still found myself having to write: It was a really interesting thing to learn about myself, that this is a part of who I am, and without it I get frustrated.
When we write songs, we don't ever sit down to write an Old Dominion song. We just sit down to write the best song we possibly can.
My process is surprisingly straightforward. I find myself with little to do over a stretch of time and I say, "I should write children's books today." Then I sit down and write a children's book, and if it takes more than, realistically, three hours, I feel like I've done something wrong.
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