A Quote by Zadie Smith

Fate is a quantity very much like TV: an unstoppable narrative, written, produced and directed by somebody else. — © Zadie Smith
Fate is a quantity very much like TV: an unstoppable narrative, written, produced and directed by somebody else.
In all cases where work is produced by heat, a quantity of heat proportional to the work done is expended; and inversely, by the expenditure of a like quantity of work, the same amount of heat may be produced.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.
I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.
'Imitation Girl' is a feature written and directed by Natasha Kermani. She's one of the founders of Illium Pictures who co-produced 'Pod.'
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
I have very much been a guy who's acknowledged how many women have directed me, have produced... it's been unbelievable.
If I was singing like somebody else, then it was almost like I was expressing myself like somebody else. So it was always a very original thing for me. It's my voice, it's my diary, it's the way I connect with people.
I am not one of the great composers. All the great have produced enormously. There is everything in their work - the best and the worst, but there is always quantity. But I have written relatively little.
I don't think any poetry is written that isn't primarily written to the self, in a way... I'm always talking to myself. But I seem to want somebody else to listen to it. I need, I do want an audience. So it's a strange thing. It's a very private conversation that then, you make public, kind of, like, the starfish flipping its stomach out.
'To the Bone' is autobiographical. It's written and directed by a woman; it's starring all women, apart from me and Keanu, who are in lesser parts, and it's produced by women.
Any musician - I would say 99% of musicians - needs some help along the way. Most people, even if they're self-produced, have someone else mix it, or they'll have someone else master the record. Inevitably, it's like somebody else's personality being put into your art.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
I can spend somebody else's money on somebody else. And if I spend somebody else's money on somebody else, I'm not concerned about how much it is, and I'm not concerned about what I get. And that's government. And that's close to 40 percent of our national income.
Fate is a story that's been written for you by somebody else. By your parent's genes, by what happened to you when you were a child, by your culture, by the fact that you were born a man or a woman. Destiny is a story that you write.
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