A Quote by Zadie Smith

I tap danced for ten years before I began to understand people don't make musicals anymore. All I wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli. Historical and geographical constraints made this impossible. Slowly but surely the pen became mightier than the double pick-up time step with shuffle.
I still can't believe I danced with Gene Kelly. How lucky am I that I've been in movies where I've danced with two of the greatest dancers of all time - with Gene Kelly and John Travolta.
I love the old Fred Astaire and Gene Kelly movies; they're so beautiful to look at. It's such a shame we don't make them anymore. Although, I don't know how you could make tap dancing current and topical.
He [Gene Kelly] once told me dancing was a man's game, as much of a sport as baseball itself. And he made us believe that. He changed our minds and suddenly, all of America wanted to dance just like Gene Kelly.
People think we choreograph. We dance four years in clubs. We watch videos every day. We do a step, it ends up a sensation, and for us it was just a copy maybe of a Gene Kelly video.
Finally, if you want to write, you have to just shut up, pick up a pen, and do it. I'm sorry there are no true excuses. This is our life. Step forward. Maybe it's only for ten minutes. That's okay. To write feels better than all the excuses.
The pen is mightier than the sword, but the tongue is mightier than them both put together.
The gun is mightier than the pen, was our true opinion, and the RPG is mightier still.
It would be impossible to make a comparison between Fred Astaire and Gene Kelly. Their personalities are entirely different.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
I've been trying to sing for a long time. I didn't realize that's what I wanted to do until I was about seven or eight. I tap danced since I was three years old, and that's all I did.
I was in a ballet company, and I auditioned for Bob Alton, a top choreographer at MGM. He sent me to see Arthur Freed, who offered me a seven-year contract.
I've made movies that nobody saw initially, and then, all the sudden, people over the years pick up on it. Like 'Spinal Tap' and 'Princess Bride.'
around 1977 I became very ... negative, I began to do things unconsciously that I didn't understand, and they were very sabotagistic and I didn't know what I was doing. I was pissing everybody off, I was breaking my bridges. I was hostile to people, I was doing performances and insulting people there - I was doing whatever I could to destroy whatever world I had created ten years before, without knowing, really, why
The pen is mightier than the sword, if you shoot that pen out of a gun
I try to wait until things set up just right before I take a trade. Then, when I'm ready to take the trade, I slowly count to ten before I pick up the phone. It's better to have the wrong idea and good timing than the right idea and bad timing.
It was a fatal day when the public discovered that the pen is mightier than the paving-stone and can be made as offensive as a brickbat.
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