A Quote by Yvonne Strahovski

I wanted to honor my heritage and where I came from and keep the name. It was a tough decision to even change the spelling of it phonetically. I wanted to keep it as close to the original as it can be.
Keep unscathed the good name; keep out of peril the honor without which even your battered old soldier who is hobbling into his grave on half-pay and a wooden leg would not change with Achilles.
We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.
I never wanted to change the world. Norman Mailer wanted to, he set himself the task of changing the consciousness of our age. And I think he came pretty close, in the 1960s, to actually managing to do it. But me? No, no, I never wanted anything like that. I'm not Maileresque.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
[Adolf] Hitler and Eva [Braun] jointly came to that decision, I think. Hitler wanted me there for security reasons and to keep Eva company, she wanted me there because we were both still very young. I was 20 years old, to live on my own would have been daunting. I wouldn't have done it and neither would she.
Do you remember the first time we made love?" He touched his lips to hers as he said it. "We rode up in the elevator like this and couldn't keep our hands off each other, couldn't get to each other quick enough. I was mad for you. I wanted you more than I wanted to keep breathing. I still do." He deepened the kiss as the elevator doors opened. "It's never going to change.
When I came to BYU, I had no idea what I wanted to study. It really was a decision based on football. I wanted to come here and play football. The decision has turned out to be so much more than football.
It was time to expect more of myself. Yet as I thought about happiness, I kept running up against paradoxes. I wanted to change myself but accept myself. I wanted to take myself less seriously -- and also more seriously. I wanted to use my time well, but I also wanted to wander, to play, to read at whim. I wanted to think about myself so I could forget myself. I was always on the edge of agitation; I wanted to let go of envy and anxiety about the future, yet keep my energy and ambition.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
I remember when Twitter first came out. I was so against it, I wanted nothing to do with it. I wanted to keep my life to myself. I felt like I didn't want to just put things out to the world that were pointless and meaningless.
The hottest trash-disco star in the world: Ke$ha! She has a lot in common with Kiss, actually, even spelling her name with a dollar sign the way Gene Simmons probably always wanted to.
I just wanted to play tennis. I started because I wanted to pick up another sport and then as I was slowly getting better I wanted to see how far I can go but I always wanted to be myself. I wanted to be original. I didn't want to copy anybody's style.
My first name, with the rare two-r spelling, came from a sportswriter named Garry Schumacher. My parents didn't know him personally, but my mother liked the spelling.
I have worked in comedies and romance genre, so I wanted a change. I wanted to do some tough work.
A lot of NBA GMs have asked me about me why I changed my middle name to Trill. Actually, the reason why I filed the paperwork to change my name was so that I could officially add my mother's last name, Stein, to my own. My mom is my best friend, and I wanted to honor her.
When we came up, Clive Davis and other record execs would do anything to keep Miles Davis, Aretha Franklin, even Johnny Mathis intact, because they wanted to keep alive a musical legacy. As a result, those artists were able to spend 30 to 40 years in the business and still make a living, still have a fan base.
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