A Quote by Isabela Moner
For 'Dora,' I wasn't sure I wanted to do it. I wanted to go on a serious path. Then I read the script. It's really funny and action-packed. It's almost like a 'Jumanji'-type movie.
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I read the script [ of 'Steve Jobs' movie ], and it was very, very good. I wasn't sure they would want me to be in the movie, but I auditioned for it. Which I hadn't done in a few years. But I had auditioned in the previous few years for another movie that I did not get the part. And so my track record wasn't good. But I really wanted to audition because I was worried that I was going to blow it, and I wanted it to be on them for choosing me.
I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
The funny thing is, I've never really hurt myself in an action movie. I've done 'Wanted,' 'X-Men,' 'Welcome To The Punch,' even 'Trance' to a certain extent has little bits of action and stuff, but I've never really hurt myself at all - not even like a sprained ankle.
When I was very young I wanted to be a professional horseback rider. Then I wanted to be a pop singer. Then I wanted to be a psychiatrist. Then I wanted to be a movie director.
When I auditioned for 'Pitch Perfect,' I didn't know it was a singing movie. I didn't read the script. I go to the audition, and I'm like, 'Oh, it's a baseball movie.' But then I'm reading the lines, and I'm like, 'This doesn't seem like a baseball movie.'
Cerise ran through the course in her mind. “Three miles, stream on the right, Mozer Lake, Tinybear, Bigbear, Miller’s Path.” She paused, not sure if she’d said it correctly. “Three miles, stream on the right, Mozer Lake, Tinybear, Bigbear, Miller’s Path.” “Thank you, Dora. Put the sword back into Backpack and we’ll go.” He nodded at the river. “Who is Dora?” “You are. Dora the Explorer. Vamanos. Put the sword away or I will take it from you.
When I was younger I wanted to be a big movie star who'd get to be funny on talk shows and then I wanted to retire and write science fiction.
As we were negotiating, I didn't have a script. Once the deal is closed, they let you read the script. So, I got the script and was reading it like, "Oh, please be good!," because I'd already signed on the dotted line. And I read it and just went, "Okay, I'm going to be okay. Thank god!" It was a really funny, moving story.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
Usually the script is much more funny than the film turns out to be, in my case. The script is almost like a comic book but when you start making it, for some reason the film gets very serious.
It was an audition process after Breakfast Club, and I wasn't really sure I wanted to do the movie. There was a bigger role that Rob [Lowe] was already set to play, so the role they wanted me to audition for was Alec. [Director] Joel Schumacher... this is back in the days when you could trick me with things like this. He goes, "Don't you think you can play it?" And I go, "Okaaaaay." So then I did it for all the wrong reasons but I don't think I would fall for that again. Who knows. I might.
I think Memento movie was hard because people didn't get it, they just didn't understand it. Not from the stage when we read the script and liked it. It's sort of a famous story now how we finished the movie and showed it to distributors and nobody wanted it. So it wasn't just they didn't get the script, they really didn't even understand the movie when it was done. But I think that was a particularly hard one. I don't think it was harder because we were girls, but I do think obviously there are particular challenges to working in a male-dominated industry.
As agent asked if I wanted to be represented, and I said, "Yeah, sure, I'll give it a shot!" It was never something I had really put that much thought into. But then, Lee Kirk reached out and asked if I was interested, and I read the script of the [Ordinary World] and said, "Absolutely!"
Before 'Sunny' came along, I would audition and do chemistry reads with very funny actors. And then they would cast someone who was beautiful and benign. I don't think that very funny men wanted to headline with very funny women. They wanted to be the funny ones, and they wanted the wife to be the wife. That was very frustrating.
I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative.
Being a black filmmaker, one of the things I wanted to do with the movie is make sure I told it from a different perspective. I wanted to take myself out of it as a black male. I wanted to look at this movie through the eyes of Tully, to understand what he was thinking, and feel what he was feeling as much as I could.
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