A Quote by Isabel Allende

Only in romance novels or in thrillers people live outside of a social and political context. — © Isabel Allende
Only in romance novels or in thrillers people live outside of a social and political context.
Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
I think character is very much a product of where you live, who you are, what is happening in that time of your life, and I'm interested in those pressures, those forces. A political context, a social context, really determines if not who people are then how they treat one another and what they say, how they speak.
After about the age of 13, I was a romance addict. Still am, though I read just about every other genre as well. The only thing I really shy away from is political thrillers.
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
She understood now why her friend Elizabeth, with her near-genius, analytical mind gave wide berth to murder mysteries, psychological thrillers, and horror stories, and read only romance novels. Because, by God, when a woman picked up one of those steamy books, she had a firm guarantee that there would be a Happily-Ever-After. That though the world outside those covers could bring such sorrow and disappointment and loneliness, between those covers, the world was a splendid place to be.
I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
Romance novels are birthday cake and life is often peanut butter and jelly. I think everyone should have lots of delicious romance novels lying around for those times when the peanut butter of life gets stuck to the roof of your mouth.
Somehow, women's romance novels are not titled He Stopped When I Said "No". They are, though, titled Sweet Savage Love, in which the woman rejects the hand of her gentler lover who saves her from the rapist and marries the man who repeatedly and savagely rapes her. It is this "marry the rapist" theme that not only turned Sweet Savage Love into a best-seller but also into one of women's most enduring romance novels.
We know romance novels are a huge thing. Can we do a romance novel show on our network? I'm not sure.
I can't imagine myself outside any kind of social or political involvement. Yes, I'm a writer, but I live in this world, and my writing doesn't exist on a separate level. And if people know who I am and read my books, well, good; that way, if I have something more to say, then everyone benefits.
Romance is very pretty in novels, but the romance of a life is always a melancholy matter. They are most happy who have no story to tell.
Enjoyment of football is part of the social context, and I have lost my faith in this social context.
I would be rejected if I submitted any of my novels as romance novels.
Terrorism cannot be isolated from its political, historical, and even social context.
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