A Quote by Lzzy Hale

I dare anybody to display a more amazing body of work than Tom Petty. — © Lzzy Hale
I dare anybody to display a more amazing body of work than Tom Petty.
There's so many FM hits that I love. Bob Seger, there's two of his songs that I love. I would probably love more, but I don't sit around listening to Bob Seger records. It's the same thing with Tom Petty; he writes amazing hits, but it's not often that I sit around at home listening to a whole Tom Petty album.
Radio used to be dominated by Tom Petty and artists like that. If Tom Petty came out today, he'd be played on country radio - all that stuff would. I think the genre has opened itself up to more styles of country, and I think that's a good thing.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
We can work with anybody. I mean, we passed the 9/11 health bill with Tom Cotton. Most people would assume I wouldn't be able to work with Tom Cotton and Rand Paul and Ted Cruz.
I love Tom Petty the way a lot of people love him. He's got so many amazing songs, and you know them by heart. They're classics.
I've always loved Tom Petty and the Heartbreakers, and I watched the Petty documentary 'Running Down A Dream'. I was directly influenced, it made me want to go write.
The guy I've never worked with that is pissing me off is Tom Hanks. I want to work with Tom Hanks more than anyone.
I would love to play a show with Kanye West. That would be amazing. I want to play a show with Tom Petty or Bruce Springsteen. It would be really fun, especially to stick around, watch their show and watch how they work a crowd. It's really a wonderful thing.
Dare to be what you ought to be, dare to be what you dream to be, dare to be the finest you can be. The more you dare, the surer you will be of gaining just what you dare!
I take a more holistic approach to fitness than trying to achieve a certain body to display.
Tom Petty sent me this amazing 12-string Rickenbacker, and 'Not for You' was the first time I used it. It was like a Christmas present. One day, it just showed up at my door. I called him up and thanked him.
Tom Petty and the Heartbreakers were really great. I saw them live in the '90s; they were really, really good. The music is great, and the musicians are amazing.
Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.
I think a very clear cut example of - dare I say - plagiarism is the Sam Smith-Tom Petty situation, where you have a song that is flagrantly... it is the hook from one song being used for another song. To me, that was a very obvious example of plagiarism. If somebody had done that to me, I would probably take a similar course of action.
You are more sinful than you could dare imagine and you are more loved and accepted than you could ever dare hope.
Sam Peckinpah's movies probably say more about him than anybody's body of work says about that person. There are running themes in his films that I find eminently fascinating, disturbing, exhausting, and exhilarating.
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