It's an art installation to put out a collection, with the people behind the scenes who are inventing and creating these designs and making sure they're realized on the catwalk, and just how much hangs on it for the designers. Their livelihoods hang in the balance, as far as whether this year's collection works for them or not, and there are so many people's jobs on the line, as a result of that. I just had no idea.
I've always been a homemaker, like, I like creating spaces. Even if I stay in a hotel, I'll unpack, I'll put my books out, I'll put my camera out, I'll throw a sweater over the lamp to get better light. I am a homemaker.
My mother told me once that she had her talk with God whenever she started a new sweater: 'Please don't take me in the middle of the sweater.' And as soon as she finished knitting a sweater, and it was blocked and put together, she already had the wool to start the next sweater so that nothing bad would happen.
The designers usually don't like to say until we're on the runway. Like when I did Prada last year, I couldn't mention doing Prada or even Tweet or take a picture and put it on Twitter saying I was backstage at the Prada show. And Dolce was the same thing. They like to keep a little surprise, I guess, a little secret for everybody.
Everybody who know Rick Ross know that, for one, I love creating music, and one of the biggest impacts we have on the game was the fact that when we came into the game, artists was waiting two to three years to put out albums. I was one of the few that put out an album every year along with two or three mixtapes.
Within those confining walls, teachers - a bunch of men all armed with the same information - gave the same lectures every year from the same notebooks and every year at the same point in the textbooks made the same jokes.
Definitely inspired to keep on grinding, keep on going, keep on doing what we do every single year: Win games and put up numbers.
I work every day hard. I put my body through hell. Let me tell you, every year, seven months of the year, I don't see my family. Year in, year out. I miss my kids. Kid's birthdays, anniversaries. I'll never be able to go back and be with my family.
Poor people always pay back their loans. [...] It is us, the designers of institutions and rules, who keep creating trouble for them.
I'm involved in fight of the year nearly every time I fight because I put it all on the line. I don't look to keep out of the way and nick a decision.
The way the press works, people don't like to review or talk about EPs. It's considered, 'Why don't you just wait for the record?' But for someone who's creating, and the audience, they can get material quicker. I almost feel like putting out a few songs every couple months might be better than putting out an album every year or two.
I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
As I said this year, I didn't try to put any pressure on me by setting high goals or anything, I just want to make sure that every single time I'm out there on the court I do my best, I give 100%, and see where it's going to end up next year.
Sometimes you have to change the mold. If people keep following the same Hollywood mold, you're going to get the same thing. And as a Black actress, there's not a whole lot out there for us, unless we're creating it.
The people that keep coming back every year are diehards. I'll go out there to host a panel and I know half of the audience. I see them, every year, and they come back for more because they believe in us. That's one of the coolest things.
A sweater is like life, you get nothing out of it that you don't put into it!