A Quote by Yngwie Malmsteen
The business has changed dramatically from what it was even just a few years ago. Music isn't even distributed the same way anymore. Even CDs are becoming a thing of the past. The Internet has made it easier to get my music out to anyone who wants it, but at the same time, I feel like we're losing the mystique.
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Unfortunately, you don't get artist development anymore. Record companies have become a huge corporate thing. It used to be you'd meet someone [in the business] and they'd have a little history of music. Some people in the companies now don't even like music. It's just a job. So I miss the days when someone would go out on a limb and pick a band that was different. I just don't see that anymore. It's the same with the film industry.
A hundred years ago-even 20 or 30 years ago-it was possible, if not always easy, to close major business by calling on and satisfying a key decision-maker. Today, every piece of business entails multiple decisions, and those decisions are virtually never made by the same person. Not only do you have to contend with multiple decisions, but the people who make those decisions may not even work in the same place.
The Internet has allowed even more growth possible than in the bricks and mortar industries that I dealt with years ago. It is easier to get a business to a million dollars/pounds in revenue on the net! It is not easy! But it is easier when compared to construction, etc., though all businesses use the Internet to enhance marketing.
I thought I wouldn't enjoy the business side of music, but it's fun because it is completely - like running a DIY venue was the same exact thing but just on a smaller scale and a DIY tour is the same thing. You're just running a small business. Like we live within the paradigm of capitalism. Even if I'm going in playing these anarcho spaces, I still have to buy gas.
I think we all look for clues that we are not utterly alone... Clues we find in literature and paintings and music and even someone’s eyes; clues that demonstrate that someone else has felt the same indescribable feelings, seen the same things or passed by the spot even if it was by candlelight three hundred years ago. It means everything, like finding footprints in the sand of a deserted island.
I don't even know what words to use to talk about the music industry anymore. But the business has changed a lot - the methods of releasing music.
Music is the soundtrack to your life. It's not going to go anywhere. But the way people are purchasing music has changed. It's not the same anymore. It will never be the same.
The videos are sometimes the only way for people across the country and different places to see and hear the music. They may not get the same radio stations or they don't get the same TV channels, they don't have the same MTV that plays the same music. People will use to the Internet and that's why YouTube and stuff like that is so important.
I think photography is so hard. To be working in video and photography the past 20 years - because I was doing it in high school - you're dealing with mediums that change culture. The way they are distributed, disseminated - it's changed so dramatically. One of the things I always like to do is look at the structure of something and detach myself from the structure and figure out how to slightly alter it. So if the structure itself is constantly liquidated, it just really is difficult for me to really even know what to think of Instagram.
Even though you don't understand what I'm saying, you are going to really feel it. The same thing happened to me when I used to listen to English music. I didn't even understand one word. You know? But it just makes me feel great.
I feel like myself and the city of Cleveland are in the same boat. We're made for each other. A few years ago, everybody had bad thoughts on Albert Belle. I feel that has changed.
I think it's important for people who love music to retain physical CDs or even vinyl, because it sounds so great and so much warmer than music over the internet.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
You can feel a little vulnerable when you see people tearing you apart on the internet or saying, "It's the end of music." "This guy is a total hack." I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
At most corporations if you make an acquisition and it turns out to be a disaster, all the paperwork and presentations that caused the dumb acquisition to be made are quickly forgotten. You've got denial, you've got everything in the world. You've got Pavlovian association tendency. Nobody even wants to even be associated with the damned thing or even mention it. At Johnson & Johnson, they make everybody revisit their old acquisitions and wade through the presentations. That is a very smart thing to do. And by the way, I do the same thing routinely.
I feel like sometimes I get even more goofy onstage than I am offstage. I'm not trying to make the music less than what it is. Even if it's hard for me and I have to think about a lot of details, it's none of the audience's business. I don't want them to feel that I'm having a hard time.
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