A Quote by India de Beaufort
I have a sewing machine that I adore, and I spend a lot of time sitting in front of it when I'm not working. And any excuse to paint or draw or do something artistic with my hands really gets me going. Definitely aspiring.
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My mother had bought a sewing machine for me. When I went away to college, she gave me a sewing machine, a typewriter and a suitcase, and my mother made $17 a week working as a maid 12 hours a day, and she did that for me.
Well, I definitely have an artistic side to me as well. I write, I act, I draw. With that artistic mind I have, a lot of doors have opened for me. I can try to pursue, like - if it's something using my writing skills, maybe a book. Or maybe if it's my drawing skills, some clothing designs.
One thing that probably is unique at Activision is that we really spend a lot of time up front with our audiences, and in big quantities and with a very thoughtful process, to really try and draw out from them what it is that they would like to play. So we have a pretty good sense going in what the expectation of the audience is.
There's one little room in my house which is filled with all my clutter and bits and pieces. My sewing machine is up there, and all my knitting stuff. Its a place where I can go to relax and unwind. I don't get to spend a lot of time up there, but at least I know its there.
I grew up with older brothers, adore them, can't imagine going through life without them, and I definitely think I draw on that love when I'm writing about siblings. It's so powerful, the jump-in-front-of-a-train-to-protect-them kind of love.
I spent a lot of time, a lot of energy trying to be a better artist and I still [do]. I spend a lot of time focusing on my craft. If you're going to take your passion into something beyond just something for fun on the side, you got to spend a lot of time on it to be great, and then you've got to make smart decisions about who you collaborate with [and] where you live [to] put yourself in the right situations to meet the right people to catch those breaks.
I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
These past years have been really transitional for me in every aspect - personally, emotionally and professionally. I was excited and nervous and anxious because I literally had nothing to fall back on. This is my own thing, it's all me. I spent a year working on the record and really wanted to spend time on what it was going to represent and how it was going to represent me in this time in my life.
In a strange way, I don't have a job, so I have a lot of time on my hands. When I do work, it might be very concentrated, and it might be months where you're not really doing anything except maybe playing the banjo or writing something. You know, there's a lot of time in the day if you're not working 9 to 5.
My artistic process involves pens, gesso, acrylic paint, and markers, all on vellum. I use a window painter's technique and paint on the backside of my image before I mess with the front.
Action films unfortunately don't let you spend a lot of time sitting. So you don't have much time to create something indelible or unique.
A good use for me is to let me go away with my sewing machine and come back with some really new stuff.
I just love to draw. It's very intense for me. The day will just go by like the snap of a finger. A lot of times I'll draw or paint late into the night. When I am really concentrating, I kind of lose track of what I am doing.
The digital world has power because it has dynamic information, but it's important that we stay human instead of being another machine sitting in front of a machine.
At this point in my life, I'm not going to spend a lot of time focusing on dissatisfaction with who I am, and I'm not going to spend a lot of time tempering my personality. Whatever job I have next, I'm going to be somebody who wants to get things done.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
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