A Quote by India Eisley
Obviously, just on a visual level, as an actor, when you put on wardrobe and you look in the mirror, you're like, 'Oh, my God. This is great.' It instantly changes your posture and how you feel, and it does affect the performance as well.
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That's very important to me as well: presentation and how people perceive you, the visual of how things look, your posture. I learned that from [Bob] Fosse and Jerome Robbins, from all the great theater directors and the Busby Berkeleys. You overdeliver: visually, emotionally.
What's great is that each medium has a unique set of things that it does and does well. Film is a visual medium, and obviously, you can't fit a whole book into two hours unless you're really economical about it. Obviously, they say a picture is worth a thousand words, and on some level, it's sort of true.
It's hard to imagine you've got these massive wings in your back. You have to think about how it's going to affect your posture, affect the way you move, just, like, the sheer weight of them.
When you hit your 40s, you're walking around, and you realize, 'Oh, my God, men don't look at me anymore.' Or sometimes you can feel really good, and then you look in the mirror, and you're like, 'Oh, Jesus, that's my face now!' But I have tell you that something happened and shifted inside of me.
I feel a real need to observe a level of propriety in what I'm handing out. Instead of me just venting or spilling my guts, I've got to consider how it's going to affect people. How it's going to affect me, as well. Because it's like a cycle.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."
My wardrobe is like a garden oh, I don't know how I've got the gall! My wardrobe is just like a wardrobe it's not like a garden at all!
I thought, 'Oh, this is great,' because maybe someone who does look like me will watch 'Agents of S.H.I.E.L.D.' and realize that they can be an actor if they want to be, or they can be a superhero. They can have a hero that looks like them as well.
I love actors; I love seeing great performances. I just love that, when I'm seeing a performance, that inside me, I just go, 'Oh my God, how are you doing that? Where is that coming from?' Where you see an actor do something, and I can't even locate it in my own body.
There are a number of ways you can find out if a restaurant is good or not: just the way it looks can give you all these visual clues: is it well maintained? Is the décor slapdash or does it look like someone put some effort into it? The employees - do they look disgruntled or proud to be serving what they're serving. Even better, when you walk into a place you can look at the food.
I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.
What it means to look like a woman or man changes regionally - from mannerisms to clothes to posture to makeup to even your vocals - so I just observe, and I replicate.
Let's start affecting our whole city, and maybe we can affect the whole nation, the whole world. I'd like to affect it with the fact that God is a good God and He's on your side and He's got a good plan for you and when you put your hand in His, great things can happen.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
All these people keep waxing sentimental about how fabulously well I am doing as a mother, how competent I am, but I feel inside like when you're first learning to put nail polish on your right hand with your left. You can do it, but it doesn't look all that great around the cuticles.
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