A Quote by Johann Wolfgang von Goethe
Certain books seem to be written, not that we might learn from them, but in order that we might see how much the author knows.
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How many chapters have been written about love verses - and how many more might be written! - might, would, could, should, or ought to be written! - I will venture to say, will be written!
You figure out how to create opportunities to make music, and then, if you take care of the music, audiences will come around. They also might leave. What matters is the moment: the moment of making music, with and for and among others, and what that offers to those people in that moment. They might never see me again; they might never learn my name. But it might still be something they carry with them.
I sometimes think that I might be slightly autistic. There might be a syndrome that hasn't been named. I don't seem to see the world in the same way that most people I know see it. They don't seem to be baffled by it.
We discovered how much money influences certain things work in United States. How things might seem okay on the outside, but internally, they're corrupt.
They're constants, aren't they?" ... "Books are. That's why we like them so much. They seem immutable. They're not, of course. Not from the author's first draft to the tenth printing, but they seem like it.
Our parents are the most invaluable teachers we have, and no matter how alien it might seem to ask them to enter your 'work' world, you might just be surprised what comes out of it.
And this was the main precondition, that anything might be something else. Once I'd accepted that, it followed that I might be mad, or that someone might think me mad. How could I say for certain that I wasn't, if I couldn't say for certain that a curtain wasn't a mountain range?
To savages it would seem preposterous to seek out a place where nothing but learning was going on in order that one might learn.
One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.
To see talented people in roles that others might not see them in, to see how they might fit in the puzzle of the cast, has always been something that I've been good at. I think that if you look at the successes of my films and start to peel them back, there's usually a really smart casting decision that has gone into that success.
We are in the position of a little child entering a huge library, whose walls are covered to the ceiling with books in many different languages. The child knows that someone must have written those books. It does not know who or how. It does not understand the the languages in which they are written. The child notes a definite plan in the arrangement of the books, a mysterious order, which it does not comprehend but only dimly suspects.
I am an author-illustrator of children's books - and yet - I must confess I don't do the books for the kids. When I'm working on a book I'm somewhere else - at the circus - or a rustic old farm - or deep in a forest - with no thought of who might read the book or what age group it would appeal to. I write them so I can illustrate them.
Jesus offered a single incentive to follow himto summarize his selling point: 'Follow me, and you might be happy-or you might not. Follow me, and you might be empowered-or you might not. Follow me, and you might have more friends-or you might not. Follow me, and you might have the answers-or you might not. Follow me, and you might be better off-or you might not. If you follow me, you may be worse off in every way you use to measure life. Follow me nevertheless. Because I have an offer that is worth giving up everything you have: you will learn to love well.'
You have to learn and develop from every experience you see on the field. I might see an unscouted blitz. I might see different coverages than I'm expecting. So I need to process and make those adjustments as I go.
I might have had too many friends in my twenties. I probably said yes too much, and then I had to learn how to say no. How to get away in order to work on stuff.
It might be David Adjaye talking about how the structure of jazz music informs his architecture, it might be the musician Terry Riley talking about how he thinks so much about cinema. I'd love to see more of a rupture between mediums and a flow between them.
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