A Quote by Josip Novakovich
Justin Hermann is one of the best new voices in short fiction-deep and entertaining as hell, with many funny lines, unexpected turns of events, and great insights. Wonderful stories: each one is a trip!
Related Quotes
We get so many people saying short fiction is not economical, that it doesn't sell; but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.
When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining.
The resistance to my work, and to my way of writing, has been there from the beginning. The first things I wrote were these short short stories collected in At the Bottom of the River, and at least three of them are one sentence long. They were printed in The New Yorker, over the objections of many of the editors in the fiction department.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
Long fiction is wonderful and you can lose yourself in it as a reader and as a writer, but short stories don't allow the same kind of immersion. Often the best stories hold you back and make you witness them. This may be one of the reasons some people reject the form. That and the fact that they are harder work to read. A story will not let you get comfortable and settle in. It is like a stool that is so small that you must always be aware of sitting.
I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms.
Adventures are funny things.
Many are merely happy accidents—a single spark that ignites an unexpected chain of events.
But some adventures are meant for you and you alone.
And whether you want them or not, they seek you out of a great crowd and take you somewhere you never thought you’d go.
Often, these unlooked for adventures require a sacrifice too great to imagine.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
Oh, I love to read more than anything. I always love the 'New Stories From the South' anthologies - I think it's the best short fiction collection anywhere, just filled with treasures.
Sad to think that we won't have any new stories from John Updike, one of the last century's masters. But so many here in the two volumes of his collected stories, 186 by my count, stories to read, reread, savor over the course of a cold season. Updike's genius in the short form spills out of these many, many pages.
Print-on-demand publishing is the new farm system for new voices in fiction. Authors who have compelling things to say, who can market their stories in compelling ways, will succeed.
I love fiction. I like reading short stories. Cupcakes, pop songs, Polaroids, and short stories. They all raise and answer questions in a short space. I like Lorrie Moore. Amy Hempel. Tim O'Brien. Raymond Carver. All the heartbreakers.
I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.
The first fiction I ever wrote was short stories. I was writing short stories in my late teens and early twenties, and I think it's how you teach yourself to write.
Highway One, Antarctica is a wonderful debut by a writer with razor-sharp insights to the human condition. Justin Herrmann is a voice I hope to hear more from, and soon. Excellent collection.
Meditation is first quietness. We live in a great din. It is well to see (for who sees it not will have but narrow sympathies and understand little that occurs around him) that the noise is often a noble uproar, "deep calling unto deep," the clamor of wonderful machinery, of great labors, of human struggles, of heroes' voices. But storms, though grand, must sink if the sea is to show the stars.
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