A Quote by Irvine Welsh

It was quite life-affirming, for me, that I felt hat kind of pity for [Margaret Thatcher], because I didn't think I ever would. — © Irvine Welsh
It was quite life-affirming, for me, that I felt hat kind of pity for [Margaret Thatcher], because I didn't think I ever would.
Media hosts just talk about Golda Meir and Margaret Thatcher and again miss the point. I was talking about AMERICAN culture, ladies and gentlemen. As I pointed out, if Margaret Thatcher or Golda Meir, by the way, she didn't care, and Margaret Thatcher didn't care how she look like. If Margaret Thatcher were running for president today, as she was when she was the Iron Lady, we wouldn't have her mom doing television commercials telling us how wonderful she was when she was a kid and how nice she is.
They didn't even like Margaret Thatcher but at least there was Margaret Thatcher. There have been women, you know, Sonia Gandhi for heaven's sakes in India.
If Margaret Thatcher were running for president today we wouldn't have focus groups and we wouldn't have one day focusing on 'change' and the next day focusing on likability. If Margaret Thatcher were campaigning, we would be treated to a smorgasbord of great ideas, proposals for the future of the country. Nobody would even be thinking about that.
I was doing an interview with Charlie Rose and he said, "What do you think about Margaret Thatcher?" - and I had not heard she had died at this point - and he said, "Is there any kind of Shakespearian overtone here?" I said, "Well, actually, Julius Caesar, because ever if a politician was stabbed in the back, it was Mrs. Thatcher, by all her conspiratorial cabinet, which really did just stab her in the back." It's a rather interesting resonance.
Watching the Commons tribute to Margaret Thatcher was like being suffocated inside a gigantic sticky toffee pudding, but one with nasty bogeys planted inside. There was much of the 'Margaret Thatcher who was lucky enough to know me,' especially from her own side of the House.
When I was asked to read a screenplay about Margaret Thatcher, I think I felt immediate apprehension.
I think they (Thatcher protesters) ought to be grateful for the fact that the people who hold our (pro-Thatcher) views, and who are not mindless bigots, won't allow their behaviour to provoke us into words or behaviour which would could be seen as a breach of the peace. Hopefully, those of us who admire Margaret Thatcher are too well-mannered to fall for the bait.
As a woman, I think Margaret Thatcher felt she had to be ten times more prepared than the men.
I believe this was [Margaret Thatcher] estimate of the voter: "These people are so stupid that they will vote for me because they think I know how to run the household."
One of the things I've learned from 'Borgen' is that it's very easy to criticise people; 'I hate this politician, I hate what they do.' You are doing this right now with Margaret Thatcher, but sometimes it's hard to be a politician. I'm not defending Margaret Thatcher, but we believe our statesmen are also human beings.
I think Margaret Thatcher was a superstar in this country, and I think we all felt we needed a superstar to play her, somebody of huge intelligence, passion, and power and warmth.
By the time I came of age and, indeed, Margaret Thatcher became prime minister, I had seen the entire William Shakespeare canon, which, in those days, you were quite able to do. Now, it's a much harder thing. Mrs. Thatcher was really axing public subsidy for the arts.
Margaret Thatcher always felt like an outsider in her party.
If you asked her (Margaret Thatcher) about Sinai, she would probably think it was the plural for sinus.
Oh, my Margaret--my Margaret! no one can tell what you are to me! Dead--cold as you lie there you are the only woman I ever loved! Oh, Margaret--Margaret!
Art is a way to get strength from something that is life-affirming. It can be quite violent and still be life-affirming.
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