A Quote by Irvine Welsh

I tried to write 'Trainspotting' in standard English, but people weren't talking like that. — © Irvine Welsh
I tried to write 'Trainspotting' in standard English, but people weren't talking like that.
Most films that I do, whether successful or not, just fade away. They have their moment in the sun, then they are gone. 'Trainspotting' did not, and especially with journalists. So whenever I launched a new film, I'd end up talking about 'Trainspotting.'
You could imagine a language exactly like English except it doesn't have connectives like 'and' that allow you to make longer expressions. An infant learning truncated English would have no idea about this: They would just pick it up as they would standard English.
When I'm on television, I'm talking to millions of people, so the conversation is totally different. My words are different. My diction is different because now I'm really talking American English and not homeboy English.
The language was not a big problem because my English was getting better every year. So, I really felt comfortable and I had trust in myself, you know, talking to people. Even though I know I was making mistakes, I still kept talking. So that's how I learned English.
People think of black English as ungrammatical, but it bears the same relationship to standard English as contemporary Hebrew does to ancient Hebrew.
I like to write in fairly everyday language - I've always tried to write lyrics that, if people would speak the words, it wouldn't sound like a song.
A lot of the demos I write are all in English, so releasing music in English isn't translating to English, it's just keeping them in English.
Studying English was useless, completely useless. It took me years to recover from that. Every time I tried to write, it sounded like a bad university essay.
Where shall we look for standard English, but to the words of a standard man?
Black English is simpler than standard English in some ways; for example, it often gets by with just 'be' and drops 'am,' 'is,' and 'are.' That's because black English arose when adult African slaves learned the language.
In a couple of Ahdaf Soueif's novels, she gets at the certain kind of English that's being spoken by Egyptians. It's a beautiful, expressive English but it is non-standard, "broken" English that happens to be efficient, eloquent, and communicates perfectly well even if it is breaking rules.
I had no clue what I wanted to do. I tried nursing, I tried science, I tried English. I just kept bouncing back and forth.
We have to decide whether our fear is going to get the better of us. Once upon a time we had a standard in our country that was 'innocent until proven guilty.' We've given up on so much. Now, people are talking about a standard that is 'if you have nothing to hide, you have nothing to fear.' Think about it. Is that the standard we're willing to live under?
This African American Vernacular English shares most of its grammar and vocabulary with other dialects of English. But it is distinct in many ways, and it is more different from standard English than any other dialect spoken in continental North America.
I mean Filth is the best British film since Trainspotting. It might even be better. I keep watching it back to back with Trainspotting to try and work out which is the best. I can't split them.
I just write like a grown man, because that's what I listen to. I'm not even speaking complicated English... I don't do five-syllable words, I don't do four-syllable words. This is English. Rudimentary English.
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