A Quote by Irving Sandler

There's not much to know about me other than I like meeting artists and I like yakking. — © Irving Sandler
There's not much to know about me other than I like meeting artists and I like yakking.
I'm turned on by guys who are cultured. That'll keep me intrigued. They don't have to have a single degree, but they should speak other languages or know things about other parts of the world or history or certain artists or musicians. I like to be taught. I like to sit on that side of the table.
I'm a very private person, so obviously I don't enjoy talking about more personal matters. But at the same time I care very much about my work and I would like people to know that it exists. So I appreciate that there's a meeting point, where I would like people to know about the work that I'm doing, and that requires me to talk about it.
When I started meeting members of the hijra community, it was a whole different ballgame. They were like me. This was the first time I felt that I was with other people who were the same as me. It was not about cruising a man, it was not about sleeping with somebody - it was beyond that. It was so much a community, wanting the best for each other, loving each other, caring for each other.
I don't really look at stats or whatever. You see them on the big screen. But other than that, I don't pay too much attention to it. I did know about my dad's home run total. Other than that, I don't like to know. It's pointless. Whether you know or don't know, you don't want to think about it. You just want to go out and play the game.
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
In general, I think the best thing to do is to connect with other females. I love meeting other female artists and feeling like we're all rooting for each other. I think that's shifted even more.
There are so many artists these days that are trying to imitate other artists and go for a certain style; there's a lot of bullshit in the music industry. I don't want to deviate from anything else other than the music, cause that's why I listen to my favorite records - not because I like the way the artists dress.
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
I feel like more artists like me should be on the radio. Everything is, like, so controlled by, like, super popular music. You know what I'm saying? Like, c'mon.
As much as I try to be present, it just doesn't really feel like reality. It feels like a fleeting thing. There's a million other incredibly wonderful girls that are much more talented than me that are out there all the time. So I'm just trying to appreciate it for what it is. But I don't want it to take on that feeling of pressure, because I don't know where that's gonna get me.
I don't really like to pay attention too much to what is being said about me, only because the people closest to me - my parents, family, and friends - know me best. So I feel like their opinions mean more to me than anyone else's.
My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.
I always try to see it in positive way, like, you know what, the people that are expecting so much about of me know I can do it and believe in me. So I just kind of think about it like that. And it makes me feel a little better.
You know me better than anyone, and you're my best friend. I don't think there's anything you could say to me that would lead me to believe that you're doing it just to hurt me. If there's one thing I've come to know about you, it's that you're not even capable of something like that. Why do you think I like spending time with you so much? Because you're a good guy. A nice guy.
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
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