A Quote by Irving Sandler

It's impossible in our postmodern era for anyone to be original - for anybody to do what Jackson Pollock did. — © Irving Sandler
It's impossible in our postmodern era for anyone to be original - for anybody to do what Jackson Pollock did.
I'm a postmodern commentator, and so, in a cheeky parallel to James Joyce or James Kelman, I get to places, verbally, that are a little unusual - when I talk about Jocky Wilson and end up sounding like a Jackson Pollock of the commentary box.
I am just postmodern enough not to trust 'postmodern' as a description of our times, for it privileges the practices and intellectual formations of modernity. Calling this a postmodern age reproduces the modernist assumption that history must be policed by periods.
Unfortunately, there was no Jackson Pollock of the camera.
We're not clever enough to picture something and say, "Our music is going to be Jackson Pollock meets Oprah Winfrey" and then go about achieving that. I was in a band called Olive Loaf - it was the first thing I ever did when I first started playing the guitar when I was 12, and it was sort of like Ween, although I didn't know Ween even existed at the time.
It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel.
I don't need to own one but I like to look at Diane Arbus's pictures and anything by Jackson Pollock.
Every so often, a painter has to destroy painting. Cezanne did it, Picasso did it with Cubism. Then Pollock did it. He busted our idea of a picture all to hell. Then there could be new paintings again.
Who among us has not gazed thoughtfully and patiently at a painting of Jackson Pollock and thought "What a piece of crap?"
Like anybody else of my era, I listened to a whole lot of Michael Jackson. I guess I was probably inspired by the way he danced, and the way he sang, and his image.
Before they did all those shows on Jackson Pollock, I loved the way he formulated his paintings. I loved Basquiat - I was into the whole Beat generation, Kerouac, etc., and all those artists talked about that and Kerouac, so I just got in the middle of being spontaneous.
I love Francis Bacon. I just saw a great Jackson Pollock exhibit at the Dallas Museum when I was home for Thanksgiving.
I think there's a real problem if you're making a film - some people have done whether it be about Jackson Pollock or about Picasso - it's difficult for actors, because they have to impersonate a person whose image is very strong in our memories or in our consciousness. It's something that's very tricky, I think.
I'm interested in Jackson Pollock's kind of art, where art is beautiful, but it's nothing, and yet it's incredible.
I quite like Jackson Pollock, and have a real gut reaction to it, so it does whatever it does to me.
I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.
The history of American art, in a way, begins with Jackson Pollock and his big paintings. This theme of bigness - all painters and sculptors have dealt with it ever since.
This site uses cookies to ensure you get the best experience. More info...
Got it!