A Quote by Isaac Marion
But it does make me sad that we've forgotten our names. Out of everything, this seems to me the most tragic. I miss my own and I mourn for everyone else's, because I'd like to love them, but I don't know who they are.
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I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I feel like my strong side is not being technically perfect at the piano, but at curating my own work. It's not painful for me. I don't feel sad when I have to leave things out, put them in the safe, and not have them in public. I realize many artists feel sad about this process, but for me that's the most exciting part: By losing the weaker moments you make the strong moments stronger.
I lied to Julia, I didn't know what else to do because you - you make me feel..." I had to stop. Not because I didn't have words. I did. But I was afraid to say them. He looked at me, and I knew then I could love him. That if I let myself I would. "You make me feel too," he said, and held out one hand.
It was like those songs I'd heard as a child, each so familiar, and all mine. When i got older and realized the words were sad, the stories tragic, it didn't make me love them any less. By then they were already part of me, woven into my conciousness & memory
I think a lot of people miss out on opportunities, they miss out on achieving their dream, and they miss out on doing what they love to do because they're allowing something else, something outside of them and outside of God, to dictate what their life's going to look like.
I am fundamentally happy. Everyone has experiences that makes them cynical, jaded or unhappy - you just have to fight those things off. I have totally emotional days when I cry and get insecure. PMS weirded out, doomed and tragic. I mean, I'm definitely not just a lollipop, happy in the wind girl. I'm human just like everyone else, but I think that it would be tragic to be on your deathbed and think, 'I could've I should've.' That gets me out of bed everyday. I can't even last like an hour in bed in the morning. I have to get out there and live.
That's why it's hard, I think, to rejoice with those who rejoice and mourn with those who mourn. I love that line from the Bible, but it's so incredibly difficult sometimes, because when you've got reason to rejoice, you forget what it's like to mourn, even if you swear you never will. And because when you're mourning, the fact that someone close to you is rejoicing seems like a personal affront.
I wanted to tell you that I just--I miss you. And maybe that sounds ridiculous--like we barely know each other, but between the emails and texts and... everything else, I felt like we did. Like we do. and I miss--I don't know how else to say it--I miss both of you.
I think God leaves me alone to let me find my own strength because no one else can give it to me. Sometimes it is very lonely. But I know the lonely times teach me the most. I must let go in order to let anything in. No one can love me, for me.
At my lowest moments, I think of people who come to shows. I still get very sad and sometimes I feel like I have no friends, but when that happens now, I'll think of people whose names or faces I don't know - they're my friends and they love me. I've got them. It really does save me. I still feel awkward, but that's the one thing I can grab onto at my lowest points.
I'm not proud to be me, I'm not excited to be me, but I find that I am me, and like most other individuals, I send out little signals; I tell everyone else how everything looks from where I am.
As an emerging photojournalist in the early 70s, my focus was on trying to create stories for magazines to the exclusion of almost everything else. I wish someone had told me then that the most personally important pictures you’ll ever make are those about you and your life. I’m glad I had the chance to work for some great magazines, but I really miss those little everyday images, the ones that take place in and around your own life, which will never make the news. Don’t sell yourself short: photograph your own life, not just everyone else’s.
Grownups! Everyone remembers them. How strange and even sad it is that we never became what they were: beings noble, infallible, and free. We never became them. One of the things we discover as we live is that we never become anything different from what we are. We are no less ourselves at forty than we were at four, and because of this we know grownups as Grownups only once in life: during our own childhood. We never meet them in our lives again, and we will miss them always.
I actually quite miss being called Philippines because in the pageant it's normal for us to be called our country instead of our names. If somebody goes, 'Philippines!' I turn my head and I know that's me. Now they go 'Pia' or 'Miss Universe.' Of course that's better. But I also miss that, being called my country.
I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.
I suppose the biggest change to me is this kind of very oversexualizing of everything. Not that anyone wants to take the sex out of rock 'n' roll, you know - that would be ludicrous - but it seems that everything now, it's like the sexuality is the only voice; everything else is gone.
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