A Quote by Isaac Marion
The kind of stuff I usually read is a bit more on the literary side, like books that I think are influential in the sense that they're doing pulpy subject matter in a refined way. Like 'The Road' by Cormac McCarthy; I loved that book.
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The kind of stuff I usually read is a bit more on the literary side, like books that I think are influential in the sense that they're doing pulpy subject matter in a refined way. Like 'The Road' by Cormac McCarthy, I loved that book.
The Ploughmen is as good a book as I’ve read in years. Kim Zupan’s language is as rich as Cormac McCarthy’s, and like Cormac’s, it comes from ground-zero of the heart. I’m also reminded of James Lee Burke’s sure-footed prose and delight in metaphor. Luminous...nothing short of brilliant...a firstnovel that leaves me impatient for the next.
Heidegger wrote a book called Was Ist Das Ding - What Is a Thing? which was kind of interesting and influential to me, as a matter of fact. It's a small paperback, which I read. It's about the nature of thingness; what is it? It's a very penetrating analysis of that, and I think a rather influential book. I know other artists who have read it and come up with it.
I'm a huge Cormac McCarthy fan and have read every book of his.
No one has a name in 'The Road.' Like Cormac McCarthy's novel from which it's adapted, 'The Road' features characters such as the man, the boy, the wife, the old man and the veteran.
I love to read the kind of books I write. Genre-breaking. Fresh-concept. World-building. My all-time top three authors would have to be Cormac McCarthy, Thomas Harris, and Pat Conroy.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
I think that some books are more successful than others to certain readers. People who read my books for the humor, they're going to love one book. People who read my books for the mystery, they might not like that book quite as much.
Cormac McCarthy is my favorite author in the world. I love him so much. There's one book that informs me more than The Road - it's called Suttree. That book is a huge influence on me. I'm not smart enough to emulate him, but he inspires me. He never infiltrates my writing directly. He writes incredibly intelligently about people that are marginalized.
'Suttree' is a fat one, a book with rude, startling power and a flood of talk. Much of it takes place on the Tennessee River, and Cormac McCarthy, who has written 'The Orchard Keeper' and other novels, gives us a sense of river life that reads like a doomed 'Huckleberry Finn.'
One more recent novelist to come along is Cormac McCarthy. Him, I like.
I'm reading a lot of different books, but I always think I have to switch it up a little bit. It's like food - everything in moderation, same with my books, same with my reading. You read books that are good for you and you learn a lot of stuff, then you read 'Fifty Shades of Grey,' which is like candy.
I read fantasy books like the Harry Potter books, 'Twilight,' also biographies, and I like to read about people who have been through stuff like wars or lost their families - real life stuff, you know? I like to read about their experiences and how they coped with that.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
I always say, I'm certain I changed 'Watchmen' less than the Coen brothers changed 'No Country for Old Men.' I'm certain of it. But you don't hear the Cormac McCarthy fans, like, up in arms about it. They should be. It's like an amazing Pulitzer Prize-winning book.
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