A Quote by Isaiah Mustafa
I think commercials are something that everyone does to get out there and get a little bit of exposure, get their feet wet, and also pay the bills. So anytime you can be a part of a wonderful, fun commercial, that's just a bonus.
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We may buy a little bit of a stock, to get our feet wet and get a feeling for it.
Elected officials want to paint everyone with a broad brush. What they don't get is that everyone pays bills. Liberal activists pay bills. Conservative activists pay bills. Independents pay bills.
You've got to pay the bills, and you want to get your foot in. The great shows usually aren't going to look for somebody completely untested, so you have to kind of get your feet wet doing other shows.
Almost everyone does just enough to get by. Those who achieve spectacular success also do enough to get by; then they add a little bit of extra effort. That little bit of extra effort makes an enormous difference.
Even though you try very hard, the progress you make is always little by little. It is not like going out in a shower in which you know when you get wet. In a fog, you do not know you are getting wet, but as you keep walking you get wet little by little. If your mind has ideas of progress, you may say, 'Oh, this pace is terrible!' But actually it is not. When you get wet in a fog it is very difficult to dry yourself.
I'm looking forward to some more solo acoustic dates. That's a lot of fun for me, because I get to be alone with the song. And I get to hear every little nuance; if my instrument does something that I wasn't expecting, I get to chase that. Chase that down a little bit.
One thing with Montreal is it's so cold and everyone's so poor and beer's so cheap: if you go to a show you have to brave the weather to get there. So you show up and everyone's soaking wet - there's a sense of 'I trekked through three feet of snow to get here!' I think there's a kind of camaraderie that arises out of that, that's important to me as well.
In Austin, you work in anything that will pay and a lot of things that don't. The documentary filmmaker may also be a gaffer on a feature and producer for a commercial series and web host. Everyone just does a little bit of everything, and you have to because it's a secondary market.
I've trained primarily in Meisner Technique, and I've done a little bit of Groundlings and Upright Citizens Brigade just to get my feet wet in the improv world because I think that's really important. But most of the teachers I've worked with, I've gotten, like, references through agents or managers, and they're sort of independent.
Ultimately, I think it's just going to get you that exposure, get you in that door, get you that recognition that will hopefully get you opportunities.
Get your butt in a chair and write. If it comes out weak or bad or clunky or ordinary, then accept that this happens to everyone. Everyone. Get it down, get it done, and fix it in the rewrite. Just like everyone from Stephen King to J. K. Rowling to Chuck Palahniuk does.
Also, this is our lives for a huge part of the year and we did not want to be in prison, 24/7. It was too oppressive. So, we were like, "How can we get out? Let's see their lives, a little bit." That was really fun.
When my life does get frantic and busy, there's always time to fit something in, even if it means getting up 15 minutes earlier. I get out of bed, do a few Asanas and then do a little bit of mediation. I just structure it into the day. It's really, really simple.
Oooh, that was fun." "That does it," said Jace. "I'm going to get you a dictionary for Christmas this year." "Why?" Isabelle said. "So you can look up 'fun.' I'm not sure you know what it means." Isabelle pulled the long heavy mass of her wet hair forward and wrung it out as if it were wet washing. "You're raining on my parade." "It's a pretty wet parade already, if you hadn't noticed." Jace glanced around.
I'm not a technical person, at all, but you get a little bit more of a sense for how to get something done a little bit more efficiently. I think everybody is in that place where it's a little bit more efficient, but the process is still the same, which is still loose and collaborative.
I used to have a little whisky before I went on stage. I realized that could have slowly turned into something a bit more serious. I get hyped up. I also think doing it a lot, you get used to it. You get more confidence. It's confidence building, really.
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