A Quote by Isak Dinesen

I was young, and by instinct of self-preservation I had to collect my energy on something, if I were not to be whirled away with the dusk on the farm-roads, or the smoke on the plain. I begun in the evenings to write stories, fairy-tales, and romances, that would take my mind a long way off, to other countries and times.
Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century.
I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.
I grew up with Bible stories, which are like fairy tales, because my father was a minister. We heard verses and prayers every day. I liked the gorier Bible stories. I did have a book of Chinese fairy tales. All the people except the elders looked like Italians. But we were not a family that had fiction books.
I'm used to writing fairy tales that can be somewhat dark, and the truth is that in fairy tales, romances are always problematic. They may end happily ever after, but someone's getting pushed into an oven or has blood in her shoe.
I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
The fact that fairy tales remain a literary underdog - undervalued and undermined - even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.
My inspiration is my life, what I see happening around me. It can be history and, quite often, plain traditional fairy tales. But I never adapt; I nourish myself with old stories, and then create my own tales.
Fairy tales and folk tales are part of the DNA of all stories and great fun to write.
I did translations of Grimms' Fairy Tales and became very charmed about that way of looking at things. Fairy tales tell a lot of truths. Just as a side point, for instance, we always think the bad guys in fairy tales are the stepmothers, who are witches. But where are the fathers when the witches are killing and mishandling their children? Away. They are on a business trip. They are hunting, they are away. Wow, you know! No one says the fathers are the bad guys! It's one of the things you don't say. But my goodness, where are they?
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
I was scared before every battle. That old instinct of self-preservation is a pretty basic thing, but while the action was going on some part of my mind shut off and my training and discipline took over. I did what I had to do.
Every kid loves fairy tales, stories of witches and giants and magicians. Then, when you get a little older you can't read fairy tales anymore.
In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
Physiologists should think before putting down the instinct of self-preservation as the cardinal instinct of an organic being. A living thing seeks above all to discharge its strength--life itself is will to power; self-preservation is only one of the indirect and most frequent results.
I love the stories of changelings and the thought that the Fey were these ancient, capricious creatures who were tricky and dangerous. I've always preferred the Brothers Grimm faery tales to the Disney fairy tales.
This site uses cookies to ensure you get the best experience. More info...
Got it!