A Quote by Isamu Noguchi

The art of stone in a Japanese garden is that of placement. Its ideal does not deviate from that of nature. — © Isamu Noguchi
The art of stone in a Japanese garden is that of placement. Its ideal does not deviate from that of nature.
The Japanese garden is a very important tool in Japanese architectural design because, not only is a garden traditionally included in any house design, the garden itself also reflects a deeper set of cultural meanings and traditions. Whereas the English garden seeks to make only an aesthetic impression, the Japanese garden is both aesthetic and reflective. The most basic element of any Japanese garden design comes from the realization that every detail has a significant value.
The garden reconciles human art and wild nature, hard work and deep pleasure, spiritual practice and the material world. It is a magical place because it is not divided. The many divisions and polarizations that terrorize a disenchanted world find peaceful accord among mossy rock walls, rough stone paths, and trimmed bushes. Maybe a garden sometimes seems fragile, for all its earth and labor, because it achieves such an extraordinary delicate balance of nature and human life, naturalness and artificiality. It has its own liminality, its point of balance between great extremes.
I love medieval cities; they do not clamor for attention; they possess their souls - their riches - in quiet; formal, courteous, they reveal themselves slowly, stone by stone, garden by garden; hidden treasures wait calmly to be loved and yield to introspective wandering.
The real sustains the same relation to the ideal that a stone does to a statue - or that paint does to a painting. Realism degrades and impoverishes.
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
You have to dream things out. It keeps a kind of an ideal before you. You see it first in your mind and then you set about to try and make it like the ideal. If you want a garden,-why, I guess you've got to dream a garden.
In order to comprehend the beauty of a Japanese garden, it is necessary to understand - or at least to learn to understand - the beauty of stone.
When anyone hurts us, my wife and I sit in our Japanese sand garden and drink iced tea. There are five stone in the garden - for sky, wind, fire, water, and earth. We sit and think of five of the nicest things we can about the person who hurt us. If he hurts us a second time, we do the same thing. The third time, we light a candle, and he is, for us, dead.
Art does not imitate nature, but founds itself on the study of nature, takes from nature the selections which best accord with its own intention, and then bestows on them that which nature does not possess, viz: The mind and soul of man.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
Let me define a garden as the meeting of raw nature and the human imagination in which both seek the fulfillment of their beauty. Every sign indicates that nature wants us and wishes for collaboration with us, just as we long for nature to be fulfilled in us. If our original state was to live in a garden, as Adam and Eve did, then a garden signals our absolute origins as well as our condition of eternity, while life outside the garden is time and temporality.
In the creation of a garden, the architect invites the partnership of the Kingdom of Nature. In a beautiful garden the majesty of nature is ever present, but it is nature reduced to human proportions and thus transformed into the most efficient haven against the aggressiveness of contemporary life.
When you look at Japanese traditional architecture, you have to look at Japanese culture and its relationship with nature. You can actually live in a harmonious, close contact with nature - this very unique to Japan.
Gardeners may create order briefly out of chaos, but nature always gets the last word, and what it says is usually untidy by human standards. But I find all states of nature beautiful, and because I want to delight in my garden, not rule it, I just accept my yen to tame the chaos on one day and let the Japanese beetles run riot on the next.
Blessed is he who carries within himself a God, an ideal, and who obeys it: ideal of art, ideal of science, ideal of the gospel virtues, therein lie the springs of great thoughts and great actions; they all reflect light from the Infinite.
Nature does not complete things. She is chaotic. Man must finish, and he does so by making a garden and building a wall.
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