A Quote by Issey Miyake

I gravitated towards the field of clothing design, partly because it is a creative format that is modern and optimistic. — © Issey Miyake
I gravitated towards the field of clothing design, partly because it is a creative format that is modern and optimistic.
The point is that these decisions they've made are partly for your convenience and partly for theirs and partly out of stereotypes that they carry with them from the conventions of the computer field.
I gravitated towards Jim Ward, because I knew he was totally into the work aspect of being in a band.
Design is a field of concern, response, and enquiry as often as decision and consequence... it is convenient to group design into three simple categories, though the distinctions are in no way absolute, nor are they always so described: product design (things), environment design (places) and communication design (messages).
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
I call my design style rustically modern. I like to take traditional or rustic features and fuse it into a more modern design.
Life is indeed difficult, partly because of the real difficulties we must overcome in order to survive, and partly because of our own innate desire to always do better, to overcome new challenges, to self-actualize. Happiness is experienced largely in striving towards a goal, not in having attained things, because our nature is always to want to go on to the next endeavor.
I'd like mostly stuff for design, because I like to design clothing.
I wanted to make a TV show that I would want to watch and I naturally gravitated towards the genre of rom-com, because that's something that I have so much love for.
I was partly old-fashioned and partly modern.
I've always gravitated towards songwriting that happens easily and spontaneously, because those have always been my best songs.
Photography really is all about lines, and so is clothing. I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.
Chaoyang Park Plaza is about how to carry the traditional culture into a new format in modern architecture. Instead of building a boundary between the city and the park, I tried to design this building to emerge from the natural landscape.
I think it's healthy that people that work in a creative field look for inspiration in a different creative field.
I know what I am doing with my handbag design and clothing design.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
But I've gravitated more towards the drum set.
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