A Quote by Ethan Slater
I feel very proud of everyone I've worked with on 'SpongeBob' because they're all brilliant artists working at the top of their game to make something really special, and I think audiences feel that.
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It's the Met Gala - everyone is huge. It feels very hierarchical, and I get really nervous in hierarchical spaces because I feel like everyone deserves to feel just as special as everyone else, but that's just not the way it is in this business.
I want people to listen to my music and everyone to feel included, and I think it's kind of working because all my audiences are always so colorful.
When I'm in the audience of Broadway shows, I feel like I'm in the presence of something really special with artists working at the height of their craft and doing the best work that they possibly can.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
Being proud of something is a very tricky word and I sometimes think it has a bad connotation. I don't feel proud, I feel grateful. I'm lucky.
My standup is years and years of me working things out on the road. I'm really proud of it! A lot of it is about, well... I don't know why I feel this way, but I feel like every special or show I do is some variation on how I feel like I'm not a girl, not yet a woman.
If you want to feel proud of yourself, then do good. Take action that will make you proud. . . . And if you really want to feel proud, then do something to help someone else.
I think what's surprised me most about the club is to feel that wherever you go, even when you go on holiday to a quiet place, you always find Man Utd supporters. It's something that you do not expect in some countries, yet we have them all around the world. Manchester United is a special and unique club because of its history. No-one has won as many trophies as we have in the English league. That history is something that you cannot buy. I think this club has a lot of great history and I feel very proud to be part of it.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
I feel so fortunate, Because some people think, well you're just relegated to the sideline. But I feel valued there. They trust me. We work very, very hard at making it worthwhile. We are not going to just be down there spewing a bunch of blah. With our halftime talking to the coaches we are really trying to get something meaningful there and something that helps spin the game forward.
I think I will always feel a special relationship with The Umbrellas of Cherbourg, because for me it was something very, very special. It was a modern opera, and to play the heroine in a film that became such a success at a young age, and learning from him when I was so young and impressionable - really it was one of my most important experiences.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I don't know. Try it." And I would try it and it would be awful, and he would go, "What do you think?" And I would go, "It was awful." And he goes, "Okay, we'll try something else." And that's great because it really makes you feel less working-for and more working-with. There's nothing better than to feel a part of the team.
Films are a very personal experience - just like a martini - so I try to think about what I like, what projects I like to be in, and make sure I feel proud about it because, at the end, I'm the only one that's going to look back and feel proud or not about what I was doing.
I'm really proud of 'Coming Home.' I wrote that about Eric, and I just feel like it's very relatable for anyone who has to be away from their loved ones, you know, for long periods of time - our military, people who are working. It's pretty special.
James DeMonaco is one of my favorite directors I’ve ever worked with. I think he shoots really well and all that, but the work environment he creates – he makes everyone feel respected, he makes everyone feel appreciated, and he’s a true collaborator.
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