A Quote by Ethan Slater

The only reason to do a 'SpongeBob' on Broadway is if it's gonna bring something new to the brand, something new to 'SpongeBob,' and also something innovative to theater and to Broadway.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
The magnitude of being able to make my Broadway debut as SpongeBob in 'SpongeBob SquarePants' really only started to hit me when we took it out of town.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
When the show starts, I am in my SpongeBob stance, and I walk like SpongeBob, and the first step that I take, I am SpongeBob.
The whole cast and creative team were definitely aware of the 'This is the death of Broadway!' kind of thing about 'SpongeBob,' but we've been really ready to change people's minds. I'm really proud of being part of something that took the most creative route to a commercial entity.
I started out doing musical theater specifically - I thought I would eventually move to New York and audition for stuff, and maybe wind up on Broadway or something. Well, that didn't happen.
I'm not a person who believes that Broadway is the only place. I think there's lots of work that goes on outside of Broadway and outside of New York that's better than anything Broadway has ever seen. But, it's historically the place. It's one of the centers of the universe, in many ways.
Sometimes, if I really just need to unwind and kind of watch something that isn't gonna stress me out or have drama in it, I watch 'Spongebob.'
Some of my best friends have written Broadway shows. Allee Willis and Brenda Russell wrote The Color Purple which has been recently revived on Broadway. That to me is such a different hat that you have to wear, but music is music. A Broadway show is something I would love to have the opportunity to do.
I watched 'Rugrats' and 'Spongebob' because my dad liked 'Spongebob' too, so I loved having that on.
I see SpongeBob on ice-cream trucks a lot, and I've got bootleg SpongeBob merchandise from Mexico.
There was something in Nick, becoming the Broadway star that he was and working from the age of 7, being on Broadway for four years, and then doing the music.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
My aim is to bridge Broadway and the R&B world; and to bring all my Broadway experience to the R&B world; and one day, when I go back to Broadway, to bring some R&B to that.
When I was on Broadway when I was little, I remember always driving through Times Square with my dad to the theater. Now when I go back, you can't even drive on Broadway in the 40s. New Times Square is too touristy to me.
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