A Quote by Itzhak Perlman

I always find that there is a real communication between voice and violin. — © Itzhak Perlman
I always find that there is a real communication between voice and violin.
The violin has always been important for me. My mom was a single mom and we moved around a lot, and so the violin was always the one constant I had. I always feel better when I had my violin. Playing it is cathartic.
Wherever you find marital failure, you will find a breakdown in real communication. Wherever you find marital success, you will find a good communication system.
The real voice is stiller and smaller and seems to know, without confusion, the difference between right and wrong and the subtle delineation between the beautiful and profane. It's not an agitated voice, but ever patient as though it approves a million false starts. The voice I am talking about is a deep water of calming wisdom.
We think that we live in a heterosexual society because most men are fixated on women as sexual objects; but, in fact, we live ina homosexual society because all credible transactions of power, authority, and authenticity take place among men; all transactions based on equity and individuality take place among men. Men are real; therefore, all real relationship is between men; all real communication is between men; all real reciprocity is between men; all real mutuality is between men.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
On Facebook, Twitter, texting, e-mails, remember, it's a mode of communication, it is not communication. It's not real life. So step aside, make sure people see something other than the top of your head and live in real time, in the real world.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
A lack of communication between citizens and policemen is real stuff.
So much of what I love about poetry lies in the vast possibilities of voice, the spectacular range of idiosyncratic flavors that can be embedded in a particular human voice reporting from the field. One beautiful axis of voice is the one that runs between vulnerability and detachment, between 'It hurts to be alive' and 'I can see a million miles from here.' A good poetic voice can do both at once.
Writing has nothing to do with communication between person and person, only with communication between different parts of a person's mind.
Trying to give an individual a voice has always kind of been my mission in my life. As an actor, I've always seen that was something that needed to be done. You need to find that voice inside of you so that you can stand up and be who you really are.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
[Billy Strayhorn] understood the violin as well as he understood Jazz, and he wrote for the violin as a violin.
It's always hard to find the best friends in the locker room because we are all competing against each other - but the real friends you are going to definitely find off the court because we are competitors in between.
One forgets too easily the difference between a man and his image, and that there is none between the sound of his voice on the screen and in real life.
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