A Quote by June Diane Raphael

Years later we were watching 90210 [with my sister]. — © June Diane Raphael
Years later we were watching 90210 [with my sister].
I remember, my freshman year of college, sitting in my TV room at the end of my dorm hallway with one other girl watching the premiere of 'Beverly Hills, 90210.' And then, a year later, walking into a room packed with college students watching '90210,' and I thought, 'I wonder what it must be like to be part of a phenomenon like that.'
I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.
I always loved '90210' growing up. It was one of my favorites - the old-school '90210'.
'90210' was looking at teenagers from a perspective that hadn't really been seen on television, though it had been seen in movies like some John Hughes films. I don't know if you want to say '90210' was real, but what the characters were going through was relatable - in a very glamorous environment.
The girls in high school who watched 90210? I was watching Seinfeld.
I've been watching 'Two and a Half Men.' That's my number one. Then 'Gossip Girl' and '90210.'
I got to fight the greatest-of-all-time in my weight division - not once but twice. I was watching this guy when I was 16 years old when I first started kickboxing. I wanted to fight Aldo in a kickboxing match. A couple years later, I came to MMA and wanted to fight him. 10 years later, I got to fight the man twice.
Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.
Fact: The new '90210' is cooler than the old '90210.' It's the lithe, streamlined Skipper to the elder series' venerable Barbie. Gone are the traditional parents - they've been replaced by a hipster mom n' pop who get busted necking in the car.
We barely had cell phones on '90210.' It started in the '90s. That's pretty much when fax machines came into play. When I first got the script for '90210' I had to come into New York to get it. It was not emailed to me; there was no email.
In 1965, I was 11 and in my last year at Junior school. I was living with my mum and older sister in a rented flat in south London - my parents had separated when I was five and got divorced a couple of years later, which was unusual at the time. My dad was working abroad, and I hadn't seen him for several years.
A country that cannot feed itself cannot have self-pride, and in the mid-'60s 20 percent of all the wheat produced in America came into India. We were agriculturally a basket case. And 15 years later, 20 years later, we have become an agricultural power. This is the famous Green Revolution.
My father died when I was 10; my sister got polio a couple of years later and was paralyzed. So there I was - my sister in a wheel chair, my father gone, and my mother a quiet little mouse. You see, it was the '30s in the South, so my mother was not prepared to cope. So I was scared to death. And being that scared, everything afterward became a struggle not to go down the drain. Struggling became a way of life for me.
I have a sister, in particular, who's 13 years older than me. So growing up and watching her - watching her go to work, especially - was hugely influential to me. As the youngest, with a sibling that's a decade older, I had certain things that I would go to her about instead of my mother.
For anyone watching Ring of Honor out of the gate, they knew when they were watching an ROH event that they were watching a different level of wrestler from what they had seen.
In my mind, I imagined L.A. to be skyscrapers on the beach. Of course, that's not what it actually looks like. And growing up watching 'Beverly Hills 90210' and 'Melrose Place,' I always had an obsession with L.A. and California in general.
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