A Quote by Kajol

Every film that I have done has been woman-centric, because I am in it. — © Kajol
Every film that I have done has been woman-centric, because I am in it.

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I think 'NH10' could have been done equally well by anybody else, and it's not a 'female-centric' or 'male-centric' film. It's the story that will appeal to the audience.
I think, in the South, I can do it, especially in the Kannada film industry. I am popular enough to do a woman-centric film there.
Why is it when a woman makes a film or a movie stars a female cast it is labeled women-centric because it is not white, male and middle-class men?
The truth is 'Akaash Vani' was not a young film. The second half of the film was quite mature. It's unfortunate that not many people have seen the film, so I am still associated more with 'Youth Centric Films'.
Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
I don't think that a film should be known as 'male-centric' or 'female-centric,' but it should be known for the story. That would be really nice, and viable, too.
Why should I limit myself or drive myself towards a woman-centric film. Sometimes, the most interesting role is not that of the protagonist.
Different phases of your life have different levels of deep, traumatizing heartbreak, and in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boy-centric.
Every single one of us who has been a Woman in Film for more than five minutes is sick of the phrase Women in Film.
I am aware that I have been incredibly fortunate in my life to work with the people that I have worked with and pursue the projects that I have been able to do. There are so many films that I have done that I really, as a film person, as a film fan, that I like. And that is a nice place to think of a career in.
Every film I've made has a kind of frustrated love story in the center of it. They were people who saw life from opposing points of view, which has been in every film I've ever done. It had all the ingredients of the kinds of films I like to do.
If I'm going to get overshadowed in a film, it's because of something that I haven't done, not because of what the other heroine has done or because I've focused on the amount of scenes she had in the film.
The new Bond film, will be a big, big hit, because every Bond film is an event. Fathers take their sons to it; probably grandfathers. It's been a long time, and I think that the success of Bond is because the audiences have never been cheated by the producers. They always spend every penny, put it on the screen, and then the things that people expect to see in a Bond film - big action scenes, glamorous ladies - it's pure escapism.
When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit... in the world of film composition, you can't do that.
Perhaps...I am the face of one of your fears. Because I am a woman, because I am Black, because I am a lesbian, because I am myself--a Black woman warrior poet doing my work--come to ask you, are you doing yours?
I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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