A Quote by Kyle Hill

Jesus walking on water is an allegory, not fluid mechanics. God destroying the cities of Sodom and Gomorrah is a warning, not a historical battle. Doubting Thomas is an example, not a person. The story of Noah, with all of its scientific and historical impossibilities, can be read the same way.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
In the same way that I've no desire to live in earlier historical periods, I never touch historical recipes. Most historical cooking is detestable.
In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.
Maybe [Sodom and Gomorrah] isn't really about homosexuality, but about rape. If the angels had been female, and the men of Sodom said they wanted to 'know' them against their will, would people claim that the story shows heterosexuality is a sin?
'Believing' cannot tip the scales in making a historical judgement about whether something really happened. I can choose to believe that George Washington threw a silver dollar across the Rappahannock, but my believing that he did it has nothing to do with whether or not he really did do it. So also with the story of Jesus walking on water: Believing that he did it has nothing to do with whether he really did do it. 'Belief' cannot be the basis for historical conclusions; it has no direct relevance.
(Phillipians 3:14) No Lots wife here. No looking back at Sodom and Gomorrah here. Paul knows it is out there in the future, up ahead wherever heaven is taking us, that we will win "the prize" of the high calling of God in Christ Jesus.
The Gospel of Thomas, greatly favored in some circles, is ignored by archaeologists, primarily because it exhibits no verisimilitude. It tells us nothing about the historical Jesus and the world he and his disciples lived in. I've heard it said, that if all we had was the Gospel of Thomas, would we even know that Jesus was Jewish?
If God doesn't destroy Hollywood Boulevard, he owes Sodom and Gomorrah an apology.
I believe the example of the Zapatistas is a very relevant historical example. I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
The more I started studying the historical Jesus, the man who lived 2,000 years ago... the more I started to realize that there was this chasm between the historical Jesus and the Jesus that I had been taught about in church.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
Since the music industry cracked and fell apart, gasping for the cash flow it had come to expect, much re-thinking has been the order of the day. It is a fine time to be a musician. Like walking through Sodom and Gomorrah while it is still smoking, on your way to the next gig.
The story in that particular spot was an ancient history story, and we wanted to give it a historical feeling, which was why we used a historical calligraphy scroll come to life.
Our reasons for believing Jesus existed and also that He was who He claimed to be - the God who came down - are the same reasons for believing any fact of history: the documentation is substantial and it passes all the tests of historical reliability. Scholars - both liberal and conservative - overwhelming agree that Jesus of Nazareth was a man of history and the Gospels, on the main, tell His story accurately.
If you read Exodus 15 carefully, it describes a storm at sea. This is the old Yahwistic source. In the retelling of the story in the later Priestly source, it is more miraculous: The water stands up on either side like a wall. There are walls of water standing up. As you move back in time, oddly enough, the story becomes more historical.
Now, whenever you read any historical document, you always evaluate it in light of the historical context.
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