A Quote by Kyle Chandler
Everyone's a little nervous when you all get together and meet the actors, meet the director. But once you get on set, then it's like a sport. You're playing a game, everyone's equal and that's where it's fun.
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I get to meet everyone, tell them about the game, geek out about random things while they wait in line for the game and then I get to take awesome pictures with everyone!
Some people in this world have stopped looking for beauty, then wonder why their lives are so ugly. Don't be like them. The ability to appreciate beauty is of God. Especially in one another. Look for beauty in everyone you meet, and you'll find it. Everyone carries divinity within them. And everyone we meet has something to impart.
I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated.
People who are going to get along really well know it almost as soon as they meet. You spend a little while talking and everyone starts to feel this conviction, you're all equally sure that you're at the beginning of something good. That's how it is when you meet people you're going to be with for a long time.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
The thing to me about this sport, all the fans, everyone that watches, everyone that has a career has had a bad day at work. If you have a project, you have a quota that you have to meet, you can screw up at it. At the end of the day, you get to go home to your family; you can bring your work home with you or not.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
You have to get rid of borders, limits, and classifications; then light comes. We see everything on the screen of our ideas. We must get rid of that screen to be able to see what is behind. X's ideas are limited, that is why he remains on the surface. Y got rid of the limits, so she always goes to the depths. We should always meet people and new subjects with no set frame of mind. We have to live like that even after long acquaintance. We must get rid of every set idea to approach everything and everyone with love.
Get your butt in a chair and write. If it comes out weak or bad or clunky or ordinary, then accept that this happens to everyone. Everyone. Get it down, get it done, and fix it in the rewrite. Just like everyone from Stephen King to J. K. Rowling to Chuck Palahniuk does.
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
It's very strange to go to cities like London and New York. People walk so quickly, they seem to be in a hurry all the time. And you don't say 'Hi' to everyone you meet, and you don't smile to everyone you meet, because there's just so many. Which is also very strange.
And then, once you've written, you meet producers and directors and actors. You get to meet interesting, talented, creative, artistic people, and it also staves off a bit of creative stagnation when you can't act, which is the reality of the industry. So often, you can't act because there are just too many cars and not enough car parks. But, I love writing and I'll never stop doing that.
You don't get time to meet your peers such as Dharmendra and Hema Malini very often. Award functions or other events are the only places you meet them, unless there is an emergency. Then we all come together.
You don't often get a chance to record with the other actors who are playing the characters, mainly due to the fact that you don't have to, the actors' schedules are all over the place, and it's difficult to get everyone in the same room.
There's no chivalry in culture any more. Sometimes you meet someone who everyone says is polite and you're like, 'Wow,' but then it's like, 'Hang on, isn't everyone supposed to be polite?'
And that's how show business is like in Israel - it's very, very small. It kind of feels like a high school environment, you know? Everyone knows everyone and if you come to Israel for a month, you'll meet half of the actors on different occasions - not to mention in the doctors office!
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