A Quote by Kylie Bunbury

It's important that we're properly represented and for viewers to see all the bits and pieces of being a woman of color. — © Kylie Bunbury
It's important that we're properly represented and for viewers to see all the bits and pieces of being a woman of color.
I think it's really important that we see women represented properly in TV, and that's a multi-dimensional person: a real human being who's flawed, who's weird, who's awesome.
Shattered people are best represented by bits and pieces.
I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
The New York Times and PBS are gatekeepers of a sort. And they perform that role of gatekeeping with a set of rules and aspirations about where they want to lead their viewers and their readers. They value objective facts, and they attempt to transmit a comprehensive view of the world. And they do have values. And they do lead their viewers and their readers to certain conclusions. But it's different than such monopolies as Apple or Google which are dissecting information into these bits and pieces, which they're then transmitting to people. And it's about clicks.
I think the goal is parity: I try to be pro-woman without being anti-man, and I hope and wish that men could do the same in that when they look at the screenplay, they say, 'Wait, wait, wait - is my daughter represented here, is my wife represented here? Is my sister represented?'
It's important to be vigilant at all stages of the making of a film. The theme of a work should be represented properly.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
I see bits and pieces of me in all the characters in my films.
I work in bits and pieces. When I'm touring it's difficult. After touring, when I have space and time, it's a process, something I've been doing since I was 10 or 11 years old. I collect lyrics, melodies, bits and pieces, and finally it all comes together. It's hard to say - I've been trying to figure out how the process works.
Being the only non-Black was a unique experience. After a few weeks, you're not aware of skin color differences. You see the color; you're not blind, but it doesn't matter. You see the human being first.
People of color have a constant frustration of not being represented, or being misrepresented, and these images go around the world.
I've been frozen for 30 years. I've got to see if my bits and pieces are still working.
Artists have to be represented properly and paid properly.
If you look at any creative person's work, you can see bits and pieces of their influences. That's what an artist does.
The movies I used to watch, I remember always being so angry because I felt like I, as a teenage girl, was never truly represented in a film. There were always bits of me that were represented - I'd watch 'Juno' and be like, 'Oh, well part of me is like that, but it's still not the whole thing.'
I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.
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