A Quote by Cullen Bunn
On some level, every story draws something from life experiences. Most of the time, it's just a matter of me pulling bits and pieces of my own past to help give characters or settings a little more life.
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I base everything on my own life experiences as a female. I start from there, and then I look for characters and settings that I think are cinematic, where I can use symbols and imagery to tell a story.
I read a whole bunch of bits and pieces over the years, obviously from the fan magazines and the rest of the stuff, and I just wanted to give a little more insight into what's happening in my personal life.
Every day I learn something new, and, you know, you go through life's experiences, and if you can bring every experience at some point somewhere in every drama or every story that you have to portray, you will come across an emotion or a feeling you have had some point in your life.
I resolve to be more patient, less selfish, cherish my friends, and in my small way help whoever needs help. I cannot conceivably influence the world's destiny, but I can make my own life more worthwhile. I can give some help to some people; that is not vital to all the world's problems and yet, I think if everyone did just that, we might see quite a world in our time!
I think all writers are always collecting characters as we go along. Not just characters of course, we're collecting EVERYTHING. Bits and pieces of story. An interesting dynamic between people. A theme. A great character back story. A cool occupation. The look of someone's eyes. A burning ambition. Hundreds of thousands of bits of flotsam and jetsam that we stick in the back of our minds like the shelves full of buttons and ribbons and fabrics and threads and beads in a costumer's shop.
To affirm life is to deepen, to make more inward, and to exalt the will-to-life. At the same time the man who has become a thinking being feels a compulsion to give every will-to-live the same reverence for life that he gives to his own. He experiences that other life as his own. He accepts as being good: to preserve life, to raise to its highest value life which is capable of development; and as being evil: to destroy life, to injure life, to repress life which is capable of development. This is the absolute, fundamental principle of the moral, and it is a necessity of thought.
I think every time you take on a new role, you're trying to help find that voice and you add your own bits and pieces along the way but with Noah [Baumbach] it's already done.
I've started to look at life differently. When you're thanking God for every little you - every meal, every time you wake up, every time you take a sip of water - you can't help but be more thankful for life itself, for the unlikely and miraculous fact that you exist at all.
The hardest bits of my book to read were the easiest bits to write because they were the most immediate. Probably because I had never stopped thinking about them on some level. Those bits I was just channelling and those were the most exciting writing days. The bits I found harder were the bits that happen in between, you know, the rest of living. There were whole years, whole houses, that I just got rid of.
There are certainly times when my own everyday life seems to retreat so the life of the story can take me over. That is why a writer often needs space and time, so that he or she can abandon ordinary life and "live" with the characters.
There are certainly times when my own everyday life seems to retreat so the life of the story can take me over. That is why a writer often needs space and time, so that he or she can abandon ordinary life and 'live' with the characters.
The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.
I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.
Back in the day for me was a great time in my life - I was in my 20s. Most people refer to their experiences in their twenties as being a highlight in their life. It's a period of time where you often develop your own way, your own sound, your own identity, and that happened with me, when I was with a great teacher - Miles Davis.
It is not morbidity which draws crowds to scenes of disaster or unusual joy. It is the desire to participate in a moment when life breaks through to some higher level of intensity so that one's own life might take fire from that sudden spurted flame.
I confessed recently to an old friend, "I realized I was looking at you, in your visit, through old glasses. Speaking old words. Telling old stories. I realize that in my life I've made so many physical changes and I need to give my spirit time to catch up." Time for my spirit to look at my friend through the new glasses of current life experiences. Old friends are precious. They become even more treasured when they are wrapped in the currentness of life experiences and not relegated to the past in which they once lived.
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