A Quote by Callie Thorne
Even though the third season of 'Necessary Roughness' was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
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Even though the third season of Necessary Roughness was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
Cable shows do 13 episodes. I get that. I can wrap my head around 13 episodes. You make them all, you post them all, and then you get to air them. The network cycle is way more intense. There's more episodes.
Ten episodes goes by really quickly, especially when you've got a really tough shooting schedule of seven-day episodes.
The beauty of Netflix is that you can figure out a good part of the season before you get started. You're never in the hole of, "Oh, we've already released the first four episodes, and now we gotta make the finale, and we've already promised this."
I've always had a show that went seven episodes or 13 episodes or whatever. And I've never had a show that's gone past a first season. It really is a lot of work.
Although there were only about 24 episodes made it seems to run forever. They take a couple of episodes and put them together, making a feature film once in a while. I had good fun making the series.
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.
If you look at 'The X-Files' generally, we did 202 episodes. About 80% of them are not 'mythology' episodes, which tend to be the epic episodes. They deal with the big conspiracies, the search for Mulder's sister. They deal with what I would call the 'saga' of 'The X-Files.'
I haven't watched a lot of episodes of 'The Good Wife.' I never even saw the show until I signed on, and then I watched seven episodes.
There is no point in appearing in just a few episodes. If I do a show on television, it won't be for a few episodes only.
I had been on another procedural show, 'Cold Case,' for seven years, and I certainly respected the legacy of 'Law & Order,' even though I had only seen a handful of episodes. Being a dad meant the reality was that I probably knew more about Dora and Diego. But I saw the show with fresh eyes, and I wasn't coming in with a bunch of baggage.
I think we're always trying to avoid tropes. And I think that "Game of Thrones" has almost made killing people a cliche. For us, it wasn't about that. For six episodes, it's hard to invest in people, and I think when you kill a main character on television it really needs to mean something. So we certainly had talked about that, and I think we managed to juggle the ball to make a gripping, interesting and compelling finale. We feel that we didn't have to go there at this point because we had such few episodes.
The old wars were decided by their episodes rather than by their tendencies. In this war, the tendencies are far more important than the episodes.
When you only do 10 episodes for a final season, every character and all of her interactions in every storyline have so much more import because it's the last time we're going to do it. It's been really helpful saying, "OK, where do we want each of these characters to end?" We have 10 episodes to do it and working backward from that, I kind of envy my friends who have always been on a cable network because this is really that great benefit of doing it this way.
So we [with Chris Ellis] did [Fresh Hell], and we did the first five episodes as a lark, just to see if anybody would respond or be interested, and we got enough feedback that was positive that we thought, "Let's keep going with this and see if we can flesh it out a bit this season." We've had 10 episodes, and they've been longer and a little more complete.
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