You flip the switch. Flip the switch and go into work mode. You're a professional, so be a professional. You can take care of your problems later, but you still have to go to work. You still have to make things happen. One bad day could turn into a bad year if you're not careful. Or, a bad rest of your life if you're not careful. Because of one day!
I wish there was a switch that I could flip, where no one knows me. And then, when I'm ready to make a splash, I'd flip the switch and say, 'Hey, I'm ready now.' Unfortunately, that doesn't happen.
I go to practice each and every day, but my intensity is not the same. If I get tired, I'll go sit down. If I want some water, I'll go drink it. When I'm in training camp, I don't. I've got to push through being tired. I've got to push through being uncomfortable. That's really it. It's largely a mentality. You kind of flip that switch and turn your intensity up. Your heart rate goes up. Your reps go up. And you start to get in the frame of mind.
I've always been kind of a - you know, I have my moments, where I can be Tommy, and then I flip a switch; when you're on stage, you turn into this other personality.
When you want to be a fighter, you have to give it everything you got. MMA just became who I am because of the amount of work I was putting into my training. It all starts in the gym. The hours turn into days, days into weeks, and weeks into months; it's like school - the more time you spend learning, the better you'll be prepared for a test.
I'm kind of quiet but when I put my helmet on, it's like you flip a switch. I'm ready to go.
If I was a guy, based on how I performed in pilot training, I would have been able to have selected a fighter. I mean, I have always said unemotionally, if we want the best fighting force, why would we have 50 percent of our population not competing for these positions?
Robert Kirkman can't bear it when I wear flip-flops. He takes pictures of my flip-flops and keeps sending them to me, like, 'What are you doing? Rick Grimes is not a flip-flop kind of guy.'
But the writing life, it turned out, was difficult. It wasn't like you could sit down and flip a switch and crank on the ventilation system. Sometimes it didn't work, and sometimes you couldn't even find the switch.
If I am recalling an incident very vividly I go back to the instant of its occurrence; I become absent minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of time any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should we not hope that ultimately he may be able to stop or accelerate his drift along the Time Dimension; or even to turn about and travel the other way?
Only a fool wants war, but once a war starts then it cannot be fought half-heartedly. It cannot even be fought with regret, but must be waged with a savage joy in defeating the enemy, and it is that savage joy that inspires our bards to write their greatest songs about love and war.
Finishing a guy like Benson Henderson, who hasn't been finished since for six years, the guy doesn't get finished and I finished it with a switch-step switch to Southpaw, knocked him out with my left hand.
One thing I see in a lot of coaches is they try to live through the fighter. You can't live through the fighter. You gotta allow the fighter to be the fighter, and do what he do, and you just try to guide him. Why should I have to live through a fighter, when I went from eating out of a trashcan to being eight-time world champion? I stood in the limelight and did what I had to do as a fighter. I've been where that fighter is trying to go.
I've missed being able to flip in the air, flip on the beam and swing on the bars.
I turn a switch on to socialise on the red carpet, and then switch it off once I'm done.
You have to have a switch that you can flip when you get on the field.